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#expLOReTaos Geocache

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Looking for a cool new way to exercise both mind and body?

You might want to try geocaching, the fast-growing sport that’s akin to a modern-day treasure hunt.

Instead of a worn old map marked with an X, you use a GPS receiver, a set of coordinates and (optional), clues. And instead of hunting for a buried chest, you’re looking for a cache of goodies hidden in an eco-friendly site above ground.

For those of you unaware of the game, here’s a short breakdown:

Caches are hidden by fellow geocachers who put together a hodgepodge of trinkets, a logbook and pen or pencil, and perhaps a disposable camera. This hoard is then stuffed into a weatherproof box and hidden under a rock, behind a tree or maybe even in a more urban locale.

The geographical coordinates of these containers—some no bigger than a film canister—are posted on Web sites for fellow geocachers to follow. Caches often use a 5-star system to rate the level of difficulty and the terrain.

Now you can get in on the action right here in Taos, thanks to the LOR Foundation!

The LOR Foundation was founded in 2007 on the simple premise that communities can find economic prosperity without sacrificing what they love about the place they call home.

To get there, LOR provides locals with the resources to tackle problems using solutions that fit the community’s character.

LOR takes into account both the unrivaled beauty as well as the  complexity of the rural West, and believes the best solutions are firmly rooted in the communities who understand this nuance and who only need the resources to make themselves stronger.

Jake Caldwell ( a graduate of Taos High School, with a BA in Biochemistry from the Colorado College and a Juris Doctorate from the University of New Mexico School of Law), has been a program officer for the LOR Foundation since August 2014.

Jake began practicing law in Taos in 2000. Passionate about protecting and preserving the landscape and way of life he grew up with here and in other rural landscapes like Taos, he is a member of the New Mexico State Bar and the US District Court for the District of New Mexico.

LOR collaborates with advocates, experts, and other philanthropic organizations, to extend their reach, helping to bring rural perspectives to national attention. Listening to people who have a vision for the future of their community, LOR then assists in co-creating solutions to everyday problems and share the insights with others.

The Foundation seeks to elevate the rural voice, while using an evidence-based approach that continuously informs how they choose partner with communities to improve quality-of-life and build on local assets.

LOR have been on the ground in Taos County, assisting with the impact of wild fires on our rural communities (you can read about it on their site linked below this post), and starting July 17, 2019, the LOR Foundation is asking you to #expLOReTaos while you search for geocaches and upload photos to social media to win cash for organizations working to improve the quality of life aqui en Taos!

I think we can all get behind that cause!

The game itself is a lot of fun and transcends geographic, political, gender and age boundaries. Geocache sites range from easy to challenging, and their level of difficulty is indicated alongside the cache’s coordinates for easy access.

A few rules apply, although still evolving, geocaching follows a few fundamental guidelines. Among them: Do not place caches on private land without permission or in national parks or wilderness areas at all, do not cross private property without permission to reach a geocache, do not include offensive or inflammatory material in a cache. 

And most importantly, maintain a “tread softly” and Leave No Trace philosophy.

It goes without saying that Geocaching and GPS units go hand in hand. Even the most basic of units is enough to track down the location of a geocache, but to get a visual of the area you’ll be searching, a map is a must. Your GPS can tell you the straight line between 2 points, but unless the route’s waypoints have been preloaded into your unit, only a map can show you that tiny pathway between you and your destination!

Now you have the gist of it, there’s no excuse not to get outdoors and get in the game!

The LOR Foundation’s Geocache event –  #expLOReTaos – happens from July 17 – September 10, 2019, beginning with a festive launch at Rio Fernando Park.

LOR have partnered with the Taos Land Trust, Amigos Bravos, the PASEO , Twirl and several others in the community (see all by visiting the sites linked below this post), to bring this fun event to Taos.

To sign up, go to the site linked below and please visit the LOR Foundation’s site as well, to discover more about what they do out here in the Wild West!

#expLORetaos/geocache

LORfoundation/geocache

LORFoundation

 

All images Stock Files

The post #expLOReTaos Geocache appeared first on taoStyle.


Geraint Smith’s Breathtaking Beauty

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His client list reads like a who’s who of everything and everyone.

And in a town where there’s never been a shortage of great photographers, beginning with Ansel Adams, Geraint Smith’s images more than hold up; they capture the transcendent beauty of the High Desert without departing from his distinctive style and point of view.

Geraint was born in the Rhondda Valley, a coal mining community in South Wales, one of four children. His mother was a homemaker and “my dad worked at the mine in the valley below.” He told me as we sat together at Manzanita Market a week or so ago, chatting over tea (me) and coffee and ice cream (Geraint.)

We’d met over the years and I’d approached him to do a piece right before I fell ill, but now here we were, making up for lost time.

Although the family moved to Yorkshire when Geraint was still a child, the sing-song Welsh lilt remains as he describes early memories of “going up the hill to school, down the hill and over a bridge to the shops across the valley.”

He says that the Westerns he watched at the local cinema are indelibly etched in his memory and looking back, he can’t help thinking that “ I unconsciously knew I would eventually live in the wide open spaces of the American Southwest.”

His earliest memory of photography goes back even further, when he was a very small boy and his father would let him carry the family’s Kodak Brownie, occasionally allowing him to take a picture. But it wasn’t until after the family had moved to England in the mid 60’s, when he truly developed a love for photography after buying his first movie camera in his teens.

“It was such a study in contrasts,” he says now. “There we were in Yorkshire with coal mines, steel mills – industrial wastelands – and yet on the other hand we were surrounded by some of the most beautiful countryside in Britain!”

“I was inspired by that.” He says softly.

In 1978, at the age of 22, after a stint in London, he moved to Los Angeles where he studied cinematography and film. 

“I soon discovered that I preferred still photography and chose to focus on that.”  He explains.

Over the next decade or so,  he traveled back and forth from L.A. to England and Europe, but decided to remain permanently in the United States. His career as a freelance photographer working for the City of Pasadena, Caltech, the Los Angeles Philharmonic and the Pasadena Symphony Orchestra, began at that time.

While still living in Los Angeles, Geraint made several trips to Taos to visit friends who had moved here, and fell in love with the majestic vistas and magical light like so many others had, before him.

In 1988 he made the decision to move here, not realizing at the time how much his life would change, and how many sacrifices he’d need to make on his journey to the present.

From making furniture and sculpture, working with wood and metal, designing websites – anything it took to keep a roof over his growing family’s head (Geraint has two children from a previous marriage), he continued to take photographs of the landscape and the light which had inexplicably drawn him here.

Eventually he opened his own gallery and as his work began selling, his clientel grew and continues to grow. He closed his gallery in town and reopened one in Arroyo Seco, where he says business was great for quite some time, until it wasn’t.

“When it began slowing down (when the economy took a downturn), a few years ago, I just decided to close it.” He told me, “It was great fun for a while, but I felt like I was wasting time sitting there all day, waiting for someone to come in.”

He married his long time sweetheart Pamela Morgan (who took the photograph of Geraint at the top of this page), and these days, with his kids grown, his second gallery closed, he shoots on commission for that long list of aforementioned clients, while offering “personalized photo tours in the Land of Light.”

In his Taos Photo Tours which offer workshops and classes, he invites fellow photographers (both professional and hobbyists), to explore the enchanting landscape of Northern New Mexico and southern Colorado; locations that have inspired so many others – photographers and artists – over the decades.

“I never tire of seeing these places,” he tells me as we get ready to leave, the Market is closing and they are threatening (jokingly) to lock us in there with the ice cream!

“I see something new and different each time I look.” He smiles, “and it’s a pleasure to be able to help others discover what makes this region so magical.”

And with every new trip he takes, whether near or far, we are sure to be gifted with yet another image of breathtaking beauty! His eye for detail and composition (that probably began when that small boy first crested that hilltop in Wales overlooking the valley below, where his dad went to work  five days a week), was certainly nurtured further by the Yorkshire moors and dales, and all these years in Taos have only served to deepen his singular vision and broaden his view.

Over the years Geraint has donated his images to non profits and charities here in New Mexico and around the world. If you are associated with a non-profit organization, and would like to know more about this process, see his site linked below this post.

Needless to say, choosing images for this post was nigh impossible – I wanted to use them all, so to learn more about Geraint Smith, his Taos Photo Tours (and to see much more of his stunning work), please visit his site for all that as well!

geraintsmith.com

 

 

 

All images by Geraint Smith except for the top photo, taken by his wife, Pamela Morgan

The post Geraint Smith’s Breathtaking Beauty appeared first on taoStyle.

Barrone & Bellis Band: Rockin’ In The Free World!

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When Dan Barrone was elected Mayor of Taos in 2014, the rumblings began even before the dust had settled!

Who are these guys? People started to wonder about the new management in charge of the town.

Town Manager Rick Bellis in particular was routinely and unfairly picked on by ill-informed council members and private citizens alike. Blamed for everything from hotly debated, controversial developmental projects (four story hotels), to the pot holes on our streets, Bellis was soon viewed as a divisive personality in Taos town politics.

Mayor Barrone was accused of being incompetent by more than a few ignorant and disgruntled naysayers (many of whom voted for him in the first place), but nothing could have been further from the truth regarding both men.

Dan Barrone knows what it means to work hard. He has owned and operated Olguin’s Sawmill for the past twenty-five years with his wife Della and twelve years prior to owning the mill, the couple managed several rental properties in seven states with the majority of them being affordable housing units. 

Five years of Business Administration (NMHU), and hands on work made Barrone an outstanding candidate for Mayor. Olguin’s has been the recipient of several Forest Service grants so grant management, along with Barrone’s practical experience in most duties of the public works department, along with eight years as a Taos County Commissioner (where he was a  part of managing a $48 million budget, along with being a member of the NCRTD for five years and chair for two of those five years overseeing a $14 million dollar budget), renders those myths null and void.

As for the man he chose as his Town Manager, Rick Bellis (the preferred scapegoat of those aforementioned myth mongers), was raised in the working class township of Old Bridge, New Jersey.  Rick attended the University of North Dakota where he earned a master’s degree in planning and economic development. (He played goalie with the University of North Dakota ice hockey team.) After graduating college, Rick married and started a family, taking a job with a rural development corporation of New Jersey, where he helped start and run a shelter for the homeless.

A great delegator, Rick has surrounded himself with a stellar group of people, including Mitch Miller (Special Events Director), and Ana Karina Armijo, encouraging a spirit of team work and professionalism. His longstanding altruistic values are evident in his commitment to the Stray Hearts Animal Shelter, where he volunteers to walk the dogs and has adopted several rescue dogs of his own. He is also an avid supporter of the Youth and Family Center where he can often be found attending events. Due to Rick Bellis’ expertise we have not only recovered from our $800,000 inherited deficit, but we are now operating with a reserve of more than $2.5 million.

 After a few early false starts and personnel changes, the Town team settled into its groove and with another election behind them, now runs like a well oiled machine. No one needed to worry in the first place; these guys and (gals), come with some serious cred, but that still hasn’t been enough to silence or satisfy the naysayers.

Their biggest point of contention it seems are the Concerts (and permanent stage), in Kit Carson Park.

“We want our park back.” They complain. Well i’ve got news for you. I walk in the park weekly and no one is telling me I can’t. I see people with kids in the playground and sitting beneath the shady trees. I see others like me, walking alone or walking their dogs, and frankly, the park is cleaner and feels safer (fewer miscreants hanging about), than it has in years.

As for the concerts? Taos has had a long history of great music. From the early Boogies at Old Martinez Hall (now Martina’s), to John Brown’s fabulous shows at the Kachina Lodge, there’s always been a healthy, thriving music scene in Taos. I know, because for a time I too booked some great live music here; at the ill-fated Ramona’s (which I was brought in to help keep afloat, but unfortunately too late), and independently,  at the Angladas building before Tom Worrell bought it.

The late, great Solar Fest which was an annual event for several years (without complaints), set the precedent for the current series of Concerts in Kit Carson Park, as well as the ongoing Plaza Live events. Once Dawn Richardson tested bigger waters by partnering with the Town (and AEG), to bring acts like the Kongas and Mumford & Sons, it was clear that Taos had a future as a major music destination.

From classical to Jazz and all points in between, Taos has long been a music lover’s paradise, with live music happening somewhere in town every night; performances by local musicians and those passing through are well attended and supported by a large and diverse demographic.

A few years back when the Town team began to plan these shows in earnest, I began jokingly referring to “Barrone & Bellis” as if they were a Rock Duo. The reference was made even more apt by Rick’s long hair which kept getting longer (and blonder.) One day my daughter Genevieve suggested I should have Heather Lynn Sparrow photograph them at her studio all dressed up like a couple of Rockers. I though the idea was brilliant and contacted Heather immediately.

“Yes!” She responded. “Let’s make it happen!”

I was having lunch with Town Marketing Director, Ana Karina Armijo one day shortly thereafter and suggested the idea to her. “Go for it!” She said. “Send him (Rick), an email and see what he says.”“You’ve got nothing to lose!” She laughed.

As luck would have it, a few days later I ran into Rick outside Smith’s (as he was rescuing a stray dog), and asked him point-blank if he was up for the laughs.He laughed. Then he said that yes, he’d do it but he needed to ask the Mayor.“I’ll get back to you,” he said.Back and forth we went. The best laid plans…

Tragedy struck; Heather lost her teenage son. “He went inter-dimensional,” she says now, three years later, after the shock and grief and an extended mourning period that has included her two older daughters needing their mother more than ever. The worst possible scenario for any mother had happened. 

The project got put on hold. Then I got sick.Time passed, I got better, Heather’s hair grew long again (she cut it all off when her son died), and Rick’s hair too, got longer and blonder, I ran into him at a Mainstreet meeting that I went to with (coincidently, Genevieve). Mitch was there too, and Karina. A light bulb went off. I approached him again, but this time I wanted to include the others as well. Make it a full on band, not just a duo. I told him I’d call Heather and set it up.

Heather teaches at the Taos Academy so her schedule was pretty tight. She responded that she’d love to do it but could we wait until late spring. Back and forth I went between Heather and the Town until finally I found my true ally in Mitch. My persistence and Mitch’s help enabled this pipe dream to become a reality!

I work with a few incredible photographers on stories for taoStyle, including Zoe Zimmerman, Bill Curry, Derek Hart Lee Clockman and even Geraint Smith’s extraordinary work has appeared here, but for this gig I knew that nobody but Heather would do. And i am so glad I waited for the time to be right. For her, for the Town’s rockin’ team, for the magic moment where it all came together.

Backstage, last weekend our homegrown Rock Stars (Barrone & Bellis Band), kicked back before sound check while Heather (a Rock Star herself), clicked and clicked and got the shots you see here!

Mitch catches a well-earned  breather by the stacks with his fabulous assistant (no she’s not a groupie, just posing), Carla Murphy, while Barrone & Bellis warm up their act (and the Mayor gets a smooch from his wife, Della.) As you can see once onstage (with lead singer, Karina), all  bust out some serious moves!

Three amazing shows (more photographs by  Heather and a story from me tomorrow), an enthusiastic and very happy crowd, even in the pouring rain, proved that music in Taos is here to stay!

And needless to say, the Town of Taos Rocks! For more about the Town of Taos team and what they do, please visit the site linked below.

taosgov.com

For more on the great Concerts in Kit Carson Park all summer long, please visit Taos.org for more information and to purchase tickets.

taos.org

 

 

Editors Note: I want to thank Mayor Barrone, Rick Bellis (even with shorter, no longer quite as blond hair), Ana Karina Armijo, Mitch Miller (and Carla Murphy), for being so accommodating and such good sports! I’d  like to thank Heather Lynn Sparrow for being the very best partner in crime an old Rock journo could wish for. I also want to thank Genevieve and Aly Hyder for keeping this under wraps as long as they did. Besides all involved, they were the only two who knew about this plan!

 

All photographs by Heather Lynn Sparrow

sparrowphoto.com

The post Barrone & Bellis Band: Rockin’ In The Free World! appeared first on taoStyle.

Rockin’ In The Free World: Live At Kit Carson Park

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Love it or hate it, music in the park is here to stay!

The stage is set (literally and figuratively), and we are being blessed with amazing music all summer long aqui en Taos.  Over the July 4th weekend, locals and visitors got a taste of the great vibes and unique venue Kit Carson Park provides; beneath the sacred mountain and starry skies – rain or shine, Taos rocks!

A few great acts graced our (permanent) stage that weekend, some very famous, a couple still on their way up, and yet others,  not quite household names, but getting there. Mitch Miller partnering up with AMP (and in the not to distant future, again with AEG), has created a burgeoning new music scene here that promises to include Taos on the (Road) Map for touring acts, going forward.

Beginning with bringing Alabama Shakes to the park a few years ago, Mitch and the Town have collaborated with outside promoters to cultivate Taos’ inevitable inclusion as a music destination, and it has worked. Last Friday, Conde Naste’s Travel & Leisure voted us the 12th best “city” in the States. Now the term “city” may still be a bit far-fetched but we know the rest is a given; there’s no question we live in a paradise up here, in High Country.

That said, why wouldn’t touring musicians (and their fans), want to come here?

And how great is that for the economy of a small town in America that struggled to keep afloat off and on for decades? When I say off and on, I’m referring to eras of spendy consumption that included keeping up with trends in fashion (Native jewelry and crafts), and Art. Those days are behind us now, The world has changed; Instagram killed Print Media and the way Commerce drives Trends.

And in a world hurtling faster and faster toward the unknown, one thing remains constant; people want (and need) to eat, drink and be entertained. 

Several acts took the stage over the July 4th Weekend, culminating with the headliners, Los Lobos and The Mavericks who played in a downpour to an audience who didn’t seem to mind – umbrellas swayed and the mud did not deter dancing feet! 

The first day was free to an appreciative public. Over 10,000 people attended. Take that complainers! War were the headliners, chosen by Mitch Miller after he saw the response to Sly&The Family Stone last year, and decided a band for all ages was key on this family friendly day.

He was right. The crowd itself was all ages and as diverse as it gets; every culture up here was represented and then some. Bravo Town of Taos!

Day two was in my opinion the best, showcasing a few of the most interesting young acts out there. The park was not as packed with people, enabling one to move around freely from the various vendors to the lawn, the weather was ideal, and the music was perfect for a balmy summer night.

After Taos faves David Garver’s Bones of Romeo warmed up the crowd (preceded by a Flamenco/Belly-Dance hybrid act that included Gemma Ra-Star and Taos’ own Flamenco star, Catalina Fernandez), that def gave the gig a decidedly New Mex accent, Beat Root Revival,  a multi-instrumentalist rootsy folk duo, took the stage on Friday evening while the sun was still shining and the park still filling with people coming after a day of work or play in our great outdoors!

Combining elements of Folk, Blues, Country and Rock,  Andrea Magee and Ben Jones sound bigger than the sum of their parts! Both are amazing vocalists whose melodic harmonies drive their percussive sound.

With just a guitar, a Bodhran and their awesome harmonies and songs, they slayed the crowd and got many up front to dance. A big screen enabled people who wanted to stay on their chairs or blankets, not to miss a beat – sorry for the pun.

Originally from England and Ireland, Ben Jones and Andrea Magee came to the States looking for a new life and to share their music “far and wide,” and Austin, Texas became their adopted home. After Mike Hearne met  them and invited them to play his Big Barn Dance last year, Mitch got their number.

The duo continue to develop an ever-growing fan base while gigging regularly and still writing prolifically.

On Friday they closed their set with Buffalo Springfield’s Counterculture Classic; For What It’s Worth. As the lyric rang out loud and clear – It’s  time we stop, hey, what’s that sound.Everybody look what’s going down – one was reminded that the song remains an anthem for these times too, and until we rise up against the institutionalised insanity that runs our society, Independence Day is still far away.

Most artists have one defining album or performance, but for ukulele master Jake Shimabukuro, his entire career has been marked by huge achievements.

Since he first came to the world’s attention with his beautiful and unique rendition of  George Harrison’s “While My Guitar Gently Weeps” in a video that went viral on YouTube in 2005, the Hawaiian-born Shimabukuro has virtually reinvented the four-string instrument, and being dubbed “the Jimi Hendrix of the ukulele. His music combines elements of jazz, blues, funk, rock, bluegrass, classical, folk, and flamenco.

Shimabukuro’s numerous original compositions  include the soundtracks to two Japanese films, Hula Girls (2007) and the Japanese remake of Sideways (2009).

In 2012, an award-winning documentary was released tracking his life, career, and music, titled Jake Shimabukuro: Life on Four Strings; it screened at several festivals, and has aired repeatedly on PBS, and is available on DVD.  His newest record The Greatest Day, was released to critical acclaim.

Jake and his band took the stage and within minutes the audience were on their feet. The park was filling up and people were ready to party. Shimabukuro’s funky sound rang out through the center of town, where no doubt a few folks were dancing in the streets!

The headliners, Lake Street Dive are a band of highly accomplished musicians  from Boston, Massachusetts. The band’s original members are Rachael Price (lead vocals), Mike Olson (trumpet, guitar), Bridget Kearney (upright bass), and Mike Calabrese (drums). Akie Bermiss (keyboards) joined the band on tour in 2017 and is on their latest album.

Lake Street Dive started at the esteemed New England Conservatory of Music in Boston, where the aforementioned original players were students. The band was named after a street filled with dive bars in Olson’s hometown of Minneapolis, Minnesota, a seeming breeding ground for great musicians. These days the band tours all over North America, Australia, and Europe from their base in Brooklyn.

The band’s influences are notably classic pop and swing era jazz. “We want it to sound like the Beatles and Motown had a party together,” they’ve said, and it’s their combined love of the Beatles ( Kearney wrote “Hello? Goodbye!” and the band plays “Don’t Make Me Hold Your Hand”, both referencing Beatles tune), that stands out above the rest. As do the truly incredible vocals care of lead singer Rachel Price! A voice that elevates Lake Street Dive to another level of musicianship. 

Rachael Price was born in Australia and grew up in Tennessee. She is the great-granddaughter of Seventh-day Adventist leader George McCready Price, the granddaughter of Hollywood actor John Shelton, and the daughter of composer and conductor Tom Price.

At nine years old, she performed with the Voices of Baha choir with her sisters Emily and Juliette. At twelve, she was a soloist. The choir toured all over the world. She was attracted to jazz at the age of five when she first  heard Ella Fitzgerald. 

She recorded her first album when she was 17.  In 2003, Price received an honorable mention at the Montreux Jazz Festival’s International Jazz Vocal Competition. In 2004, she was a semifinalist and the youngest competitor in the history of the Thelonious Monk Institute’s Vocal Competition.

In August 2004 she made her U.S. jazz festival debut at Yale’s Jazz On the Green, where she opened for Joshua Redman. She won the 2006 Independent Music Award for Best Gospel Song with her recording of “My God, My Adored One” with the Boston Praise Collective. She has appeared in concert as a featured vocalist with the T. S. Monk Sextet.

After the band played on Friday night, people were blown away (and rightly so), by her voice. “That girl has some pipes.” One of the security guards said to me as I left. I couldn’t say it better.

On Independence Day Weekend, Taos was blessed with world-class sounds in a bucolic setting unlike anywhere else. Last weekend in another park across the pond, two old rockers packed the lawn where on July 5th, 1969, the Stones headlined a free concert, at which Mick will forever be remembered for wearing a dress. Then (as now), music was the message. This past weekend, Neil Young and Bob Dylan shared that stage in Hyde Park, and Neil aptly closed his set (opening for Dylan), with Rockin’ In The Free World!

I’ll toast to that! And to the great team at the Town of Taos! Aside from bringing fabulous music to our doorstep, they are boosting our economy and reputation in so many ways; two of our oldest and most run down hotels have been sold recently. The Kachina Lodge and The Indian Hills are both on the fast track to renovation and restoration, preventing the need for building any more lodgings for the time being. Four story or otherwise.

Now that’s sustainable.

Heather Lynn Sparrow took the pics you see here throughout the July 4th weekend. 

For info on more great sounds coming to Kit Carson Park this summer, please visit the site linked below.

taos.org

For more about the bands I covered above, I’ve linked to them as well.

beatrootrevival.com

jakeshimabukuro.com

lakestreetdive.com

 

All photographs by Heather Lynn Sparrow

sparrowphoto

The post Rockin’ In The Free World: Live At Kit Carson Park appeared first on taoStyle.

Sake Tasting Today At The Cellar

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For years Americans only knew cheap, mass produced sake.

College kids dropped shots of it into pints of Kirin, yelling “sake bomb!” to no one in particular, or sipped hot, boozy versions at equally bad sushi bars, but swore off the stuff for years afterwards, assuming all sakes were equally astringent.

Perception is a problem too. Americans have a misconception of what sake is. Many believe it is a spirit, distilled, with high strength alcohol, but In actuality sake is brewed in a manner very similar to beer.

In fact, Sake is essentially a wine made from fermented rice – and  like wine, it has 14 to 20 percent ABV , and like wine, Sake has fruit, floral, and cereal flavors and aromas, and It can be rich or it can be delicate and complex.

Currently the ancient Japanese beverage is in the midst of a major revival across the United States. Nuanced sakes are served at bars and in taprooms, and restaurants where they previously weren’t poured. More and more Domestic craft distillers. are emerging, and imports continue to improve.

Chris Pearce, the organizer of the annual Joy of Sake exhibition, told Forbes Magazine earlier this year, that 89 percent of sakes imported to America now qualify as “premium,” or don’t have added alcohol. “They’re clean and they’re not cloying,” he said.

Premium sakes are  featured prominently at the Tokyo Record Bar, a Japanese-inspired izakaya in New York Greenwich Village. Within a one-mile radius sits Bessou, which pairs a considerable sake program with Japanese comfort foods, and longstanding favorite Blue Ribbon Sushi, where servers pour 37 sakes.

But nearby in Providence, Rhode Island, James Beard Award nominee Benjamin Sukle pairs a sake with one of four courses at Birch, his 18-seat New American chef’s counter that celebrates the New England bounty in such courses as squash with fava beans, rock crabs, or grilled Rhode Island duck with chicories and beach plums.

At the James Beard-nominated Catbird Seat restaurant in Nashville, Tennessee, they frequently suggest sakes to pair with experimental New American tasting menus, but say that takes a bit of explaining to guests who don’t expect to be offered it.

This could change as more sakes are available and accessible to diners looking to pair drinks with meals. Sakes make versatile food pairings because they contain less acidity than wine, and have amino acids that increase “umami” in the savory dishes of every Cuisine.

As national tastes continue to evolve, sakes could go the way of rosé, mezcal, or countless other food and beverage imports we have enthusiastically adopted and embraced.

Hunter, at tthe Cellar is tapped into the trend, and today, from 4.30 – 6.30 pm, there will be a Sake Tasting at the Cellar. So if you are planning to go Geocaching at Rio Fernando Park later, I’d suggest dropping by here prior – a sip or two of  Sake will make treasure hunting much more fun!

TODAY 4.30 – 6.30 pm at the Cellar at Cid’s! Bring your ID.

For more information on the Cellar, please visit their site linked below.

The Cellar

 

 

All images Stock Files

The post Sake Tasting Today At The Cellar appeared first on taoStyle.

A Heritage Summer In New Mexico

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Last weekend was Pow Wow Weekend.

This weekend Fiestas are being celebrated. In Taos, as in much of Northern New Mexico, Heritage and Culture, Tradition and Ritual are part of our landscape. Just like the light.  And the sagebrush, more of which disappears daily, swallowed up by new builds and pavement.

But cultural observances remain and more often than not, those of us who have moved here from elsewhere, soon enough absorb a lot of them as our own. I wouldn’t call it Cultural Appropriation really, rather a thing more akin to osmosis where you find yourself saying “eeeee, a la vey” in the most unlikely situation, or having a craving for Horno bread in the middle of the day and driving out to the Pueblo to buy some. 

Now you can even learn to bake it yourself. Angelisa Espinoza Murray, the co-owner of Heritage Inspirations (with Heritage Resorts Founder, Jim Long), has come up with yet another great idea. Following on the heels of the successful Tamale tours with artist,  Anita Rodriguez, Angelisa has crafted a new culinary tour with deep roots in the Red Willow Tradition: Horno Baking. Learn to make your own bread in an adobe oven at Taos Pueblo, and don’t forget to eat it, still warm, with lots of butter and local honey!

Angelisa’s energy and enthusiasm is contagious and she’s totally committed to sharing her incredible wealth of knowledge with her guests.

An introduction (on Heritage Inspiration’s blog), to one of her tours Mountain Heritage briefly describes Northern New Mexico’s Early Cultural & Artistic History: The earliest New Mexico inhabitants, the ancestral Puebloans, left artifacts and petroglyphs throughout the region and these primitive artists created images and designs that represented their spiritual practices and relationship to their natural surroundings. Their earthen architecture used basic sustainable materials, proving long-lasting and resilient to the elements since you can still find some of their stacked adobe structures intact today.

Angelisa has deep Paternal roots in Northern New Mexico. Her love for the culture and landscape are in her blood. Her bespoke tours for Heritage Inspirations, offer the discerning traveler a way to steep themselves in the history of Northern New Mexico, while experiencing a true adventure of discovery (both self and otherwise), and knowledge of the land, culture and people who make the Land of Enchantment so unique.  Her introductory overnight backpacking experience Overnight Backpacking for Beginners is a great way to dip your toe in the waters before diving headlong into her new Glamping Concept: Glampour, or any one of the outdoor adventures she’s dreamed up, from Albuquerque to Taos! 

If learning more about the history of Art in Taos is your passion Tapestry of Taos Artists will have you leaving Taos armed with more information than you ever thought possible – and my fave category, Women’s Travel, will soon have you feeling like a local. When I began tagging posts Woman Solo, after having lunch with Karina Armijo one day, early on in her position as Taos Marketing Director. Karina had suggested doing a series of posts on women traveling to New Mexico alone. I then approached Angelisa and Asia Golden (at the time the Manager of the Palacio de Marquesa, the first  Heritage Property in Taos,) Now here we have it! Women no longer need fear traveling to the Wild West alone.

This summer Heritage Hotels & Resorts are  going all out from Taos to Las Cruces, with Arts and Culture Driven offerings, events and packages. Whether Outdoor Adventure is your jam or you prefer a little more luxe accommodations than a tent, albeit a very glam one, Heritage have you covered!

Founded by Albuquerque native, Jim Long, Heritage Hotels & Resorts is a collection of culturally distinct hotels in New Mexico and is the largest independent hotel brand in New Mexico. Through architecture, interior design, landscaping, cuisine, art, entertainment, and music, Heritage Hotels & Resorts provide guests with an authentic, cultural experience. Each Heritage Hotel donates a percentage of its revenue to cultural causes. The company and its affiliate companies provide over 2,000 jobs in NM.

This year Heritage  celebrates summer with live local music, artist workshops, tours, fabulous savings packages and more!  All eleven properties that span Taos, Santa Fe, Albuquerque, and Las Cruces are offering a selection of offerings that honor the season and New Mexican culture, including a brand-wide summer package featuring up to 30% savings on room stays and local experiences. 

“During the summer, the Land of Enchantment is a truly magical place filled with rich culture unique to New Mexico and the American Southwest,” says Molly Ryckman, Vice President of Sales & Marketing, Heritage Hotels & Resorts. “We’re proud to provide one-of-a-kind experiences that allow visitors to explore the natural wonders of our landscape and discover all that our properties have to offer, from our flavorful cuisine to our renowned art exhibits and everything in between.” 

From Flamenco performances to artist workshops and exclusive tours, below please find an overview of summer offerings that travelers can experience at Heritage Hotels & Resorts properties this season:

As home to a regionally historic art colony and a World Heritage Site, travelers head to Taos for a true getaway and to immerse themselves in the raw beauty, outdoor adventure, and local artist community. (Travel & Leisure just voted us one of the 15 best (12th), cities in the U.S.) On July 27-28, the award-winning El Monte Sagrado Resort and Spa, located at the foot of the Sangre de Cristo mountains, will offer a two-day Artistic Passion Workshop with esteemed Taos artist Rich Nichols. During the two-day workshop, Nichols will guide participants in a highly interactive and hands-on in-studio workshop, located in the gorgeous Gallery, overlooking the Sacred Circle. Additionally, this summer, Palacio de Marquesa, located near the historic Taos Plaza, is offering guests the Hardwood Museum Package, which includes overnight accommodations and two tickets to the Hardwood Museum of Art. Harwood Museum Package rates start at $159. 

Ranked as one of “The Top 15 Cities in the World for 2019” by Travel + Leisure, our State Capitol, Santa Fe is home to a variety of world-class art museums, including the world-renowned Georgia O’Keeffe Museum, Museum of Indian Arts & Culture, and the Museum of International Folk Art. This season, Hotel St. Francis, one of Santa Fe’s finest historic boutique hotels, and the elegant Eldorado Hotel & Spa are offering art aficionados of all levels the New Mexico Museum Package, which includes overnight accommodations and access to 14 museums and historic sites in Santa Fe. With this package, visitors can discover the culture of the oldest capital city in the United States in an authentic and personalized way. In addition, several Heritage Hotels & Resorts properties will offer guests the Georgia O’Keeffe Package, which includes two museum tickets, a bottle of wine, and a complimentary shuttle ride to the Georgia O’Keeffe Museum, where guests can observe and revel in the artistic legacy of the local artist. Participating properties include Eldorado Hotel & Spa, Hotel Chimayó, Hotel St. Francis, and the Lodge at Santa Fe. New Mexico Museum Package rates start at $149 and Georgia O’Keeffe Package rates start at $149.

 Additionally, to honor the history of flamenco in the state, the Lodge at Santa Fe is hosting the La Emi Summer Performance Series at its Benitez Cabaret venue, featuring live flamenco performances by La Emi and special guests every Wednesday through Sunday night. Attendees can also expect special appearances by Manuel Tañe, Vicente Griego, Kambiz Pakan, and Nevarez y José Encinias.  The event series is taking place now through September 1, and tickets start at $20.

In Albuquerque, New Mexico’ largest city, Heritage Hotels & Resorts honors artists old and new. This summer, guests can book Hotel Albuquerque at Old Town’s See Sawmill in Albuquerque Package, where visitors can explore the city’s emerging Sawmill District, shop from local makers and artisans at curated boutiques like Spur Line Supply Co, and enjoy local fare and a signature margarita at Garduños Mexican Restaurant & Cantina.

Also located in the heart of historic Old Town and new urban Sawmill district, Hotel Chaco, is Heritage Hotels & Resort’s newest property and is thoughtfully designed by Gensler Architecture and Design firm, who spent an extended period of time exploring the historic ruins of nearby Chaco Canyon to help establish the hotel as a place of cultural significance. The property features a large collection of modern art by acclaimed local and regional artists that reflects the history of Chaco Canyon. To fully appreciate the property’s art and design elements, the hotel offers guests complimentary art and history tours daily, beginning with a tea ritual at the lobby bar. To book a tour, please contact the property host desk.

At Nativo Lodge guests can kick up their summer stays with the Artist Room Experience, including overnight accommodations in one of Nativo Lodge’s 47 artist rooms, which were individually painted by local and Native American artists, signature drinks in-room, and a dreamcatcher departure gift. Guests can also experience the culture, art, history, and story of New Mexico’s 19 Native American Pueblos at the Indian Pueblo Cultural Center with admission for two when booking the Native American Culture Package

Rates for the Artist Room experience start at $99 and rates for the Native American Culture Package start at $99.

Located on the edge of the Chihuahuan Desert, Las Cruces offers travelers memorable and vast landscapes with outdoor programming. At the beautiful and Spanish and Mexican Colonial-inspired Hotel Encanto de Las Cruces, guests and families can relax in a Southwestern oasis or book day trips to the nearby wonders of the Mesilla Valley and White Sands National Monument and Alamogordo. Every Saturday during the summer, the hotel also offers guests complimentary Movie Nights on the lawn, which include a blanket, popcorn, candy, and a beverage coupon to keep guests hydrated during the desert evenings.

This summer, all Heritage Hotels & Resorts properties are offering a “Summer in New Mexico” savings package, featuring up to 30% off the best available rates, as well as local restaurant and bar promotions at select properties for guests to fully experience the culinary scene and flavors at each destination. Guests can book these packages through the respective property websites or by calling the property reservation line and mentioning code SUMMER19. *Complete package details per property and booking information are noted at the end of the release.

For more about Heritage Hotels and Resorts’ Summer in New Mexico Savings, please visit their site linked below.

For more on Angelisa and Heritage Inspirations, that link is included also. You can also find their blog on my sidebar under Taos Links.

Heritage Inspirations

Heritage Hotels & Resorts

 

 

 

All images of Angelisa’s tours and the El Monte Sagrado Resort & Spa,  thanks to Heritage Hotels & Resorts and Heritage Inspirations

The post A Heritage Summer In New Mexico appeared first on taoStyle.

The Deltaz At Old Martina’s Hall

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More llive music means more dancing.

And I am reminded of a certain country lately in the news once more, that at one time, not too long ago, banned both music and dancing. Evidently music causes dissent and in societies governed by dictators, dissention is punishable on occasion, even by death. These days I find myself thinking about things like this, which in turn takes me back to my teenage years in Cape Town, where music was banned (the Beatles), and the world teetered then as now, on the brink of disaster.

In those times. Music carried a broader and deeper message to those of us coming of age in the so-called free world, and in fact, music was a major catalyst for changes we now take for granted. Who would ever have dreamed then, that the radical “voice of a generation,” Bob Dylan, would one day become a Nobel Prize winner for literature?

I’m currently working on a memoir of my time in the music world and these thoughts about music and freedom, keep playing in my head like a song. Like the great songs that mobilised a generation; songs with roots in the blues and traditional folk songs brought here from afar – songs of distance and yearning, and redemption. Redemption songs.

Rockin’ in the Free World seems to be my current theme here on the blog, and just days after I posted the two pieces I wrote about the July 4th weekend in Kit Carson Park, I received an email from (I love the synchronicity), Gold Rush Booking in Los Angeles.

Hi Lynne, it read, My name is Adam Zanoff and I represent Americana/Blues/Rock band The Deltaz based out of Los Angeles. The Deltaz are excited to be coming to Taos on July 25th to perform at Old Martina’s Hall. I would love to have you guys list the show or do a write up about the group. The band would be more than happy to do an interview. Let me know if this is something you would be interested in. I have attached a press photo and some info about the band.

The Press Bio was rote: Brothers Ted & John Siegel make up The Deltaz on guitar and drums, harmonize on vocals and tour as a trio with a bass player… I scanned the email and checked out the attachments. Two photos and a YouTube video. The band was captured live and both the song and their vibe caught my attention.

The brothers have worked for over a decade to hone their sound, which nods to other genres including heavy metal along with blues and roots rock to classic country and folk, and create their singular brand of Americana which is at once a throwback to the LA country rock hybrid bands of the 60’s and early 70’s, including Buffalo Springfield, Gram Parsons era Byrds and J.D. Souther, among so many others – too many to mention here – as well as being their distinct iteration of American roots music. Back then Laurel Canyon was a hotbed of musical activity that gifted us with songs that became a virtual soundtrack to our lives. When Crosby, Stills and Nash stole Neil from Buffalo Springfield, it changed the game. The music made in the Hollywood hills cast a spell far and wide.

No surprise then that these two brothers John  and Ted Siegel, spend many of their days recording at a handmade studio adjacent to their residence in the hills of Mulholland Highway that overlooks Los Angeles. They have also become mainstays at a nearby Southern Californian institution, The Old Place, regularly performing for patrons at the ever-packed restaurant in the mountains, which is where they caught the ear of the late bassist Rick Rosas (Neil Young, Joe Walsh), who became an early mentor to the group.

When not writing and recording new material, the Deltaz tour constantly; headlining some shows and opening for others: The band has opened for nationally recognized artists such as Lukas Nelson, The White Buffalo and Band of Heathens.

The Deltaz music has been included on the soundtrack for the upcoming feature film “The Devil Has A Name” starring Kate Bosworth and Martin Sheen.  The film showcases their original song “Wild Mustang” as a duet featuring country-rock legend Bonnie Bramlett and The Deltaz’ Ted Siegel.

The Deltaz were formed while the brothers were still in high school at which point the boys had already immersed themselves in the last century of popular music, a  passion which led them both to quickly pick up their respective instruments of choice.

Ted is acknowledged as one of the hottest guitarists on the L.A. indie scene today, while drummer John has expanded his role in to include harmonica and great harmonies. Their latest release Barrelhouse Boys was met with critical acclaim. Clearly The Deltaz are on an upward trajectory.

I sent them a couple of questions via Adam. One (about working with Bonnie Bramlett), they declined to answer.

Q ) You guys are brothers, who grew up in California (L.A.), and play rootsy, bluesy Americana –  how did that happen? Please tell my readers a little about yourselves.

A) John and I grew up playing together. We’ve always played together and it was a natural step for us to form a band out of high school. We knew right from the beginning that we had a special connection we could never recreate with any other musicians.

Q) You are playing at Martina’s in Taos – what brings the Deltaz to the High Desert and what do you have in store for us?

A) We’ve been touring through New Mexico for the last couple of years. We’ve played in Santa Fe, Albuquerque, Ramah and Gallup. We’ve always been intrigued by Taos. Excited to play in Taos!

We are going to be performing a set featuring mostly original music with a few classic country and blues covers.

The Deltaz have crafted a dynamic set that has been showcased at several festivals including Blues and Brews, Yellow City Live, and the Shady Groves Concert Series. Their unique blend of harmonies and harmonica alongside retro rock slide guitar make their high-energy performances memorable. More than a throwback to the ladies and (a few), gentleman, of the Canyons, they are carrying the torch of Americana into the future, rockin’ in the free world.

As Taos becomes more of a bona fide music destination, I have no doubt this will not be their last visit to High Country. I am also delighted that Martina’s is bringing music back to the best little dance hall in the West!

For more on The Deltaz please visit their site linked below, along with information on their gig at Martina’s this Thursday night. Don’t forget, Martina’s is a great restaurant too, open every day. Check out their site for more info.

thedeltaz.com

oldmartina’shallevents

 

 

 

All images thanks to The Deltaz and Old Martina’s Hall

The post The Deltaz At Old Martina’s Hall appeared first on taoStyle.

A Bucket List Of Things To Do In Taos

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When I moved here full time in 1991, my friends in NYC were aghast.

“Where are you going again?” Most would ask me over and over incredulously, and “why are you moving to Mexico?” As if Taos was in another country entirely. Which of course it is, but back then the relative isolation from the civilized world was enough without heaping on added complications. Especially for friends who might like to escape the urban grind now and then, for a visit.

I would patiently explain that Taos (New Mexico), is a high desert town at the foot of the Sangre de Cristo Mountains. It’s home to the oldest continuously inhabited multilevel apartment complex and village (Taos Pueblo), in North America, and was once an important stop on the Camino Real. A trade center for centuries before the Spaniards or the Americans came. 

I told them about the cerulean blue sky, majestic mountain vistas and gorgeous sunsets. It’s also an Art Colony, I’d tell them; founded by a couple of NYC painters and their pals in the early 20th Century. Mabel Dodge came and brought her friends; D.H. Lawrence and Jung and Willa Cather among them. Millicent Rogers moved here, I’d go on.

They’d mostly just look at me as if I were entirely mad; why was I going to some dusty, forgotten outpost in the hills of nowhere, when I had a great life in the city, working for my own business (Managing musicians), and freelancing? I could make my own hours, wear whatever I wanted and go wherever I wanted to go.  

I was invited to all the coolest parties and events, I hung out with Rock Stars, Writers and Artists. Life was okay. But my kids were here, and after three years, as I tried to figure things out, the back and forth began to wear on me, so I cut my losses, closed my business, said goodbye to the City that had schooled me in the ways of the word, and headed West.

Then, as now I would entice faraway friends to visit by running down a list of all the great things they could do and see while here. I guess it was inevitable I’d eventually be blogging about my adopted home town!

There are now many tours available , however if you just want to discover Taos and its environs on your own, but you are still on the fence (even though Taos is now, quite clearly on the map), here are 35 things to do while staying in Taos. Whether for a week or a long weekend, and aside from seeing great music all summer long! Just how many you fit in, is entirely up to you. 

A little secret; while most of the U.S.A. is experiencing a major heat wave, it’s still a good ten degrees (or more), cooler up here, which makes that the best reason to take a quick getaway!

Plus, it’s not that hard to get here these days; shuttles run from the Albuquerque airport a few times daily, and Santa Fe is only a little over an hour’s drive from here. In winter you can fly Taos Air from Austin or Dallas’ Love Field. What’s not to love about that?

Next year, rumour has it, the plane might fly our summer skies as well!

Meanwhile, here’s something to get you thinking about a visit to the Frontier, because yes, we are still an outpost at the end of the Wild West, close to the border that once wasn’t there; Mexico is more than a neighbor, its Familia and the cultural ties remain strong. Up here in the Land of Enchantment, nothing and everything, including the Light, is as it seems, but rest assured, it’s even better than what you have dreamed. Big skies, horizon for miles. Clean and crystal clear air…what are you waiting for?

Robert Cafazzo’s 100 Things to do list remains the seminal blueprint, but here are my suggestions to keep you busy while visiting Taos, New Mexico in the summertime – quite a bucket list for sure, but very doable for even a short trip. Oh, and I almost forgot, eating chile is not on the list because it’s a given!

Explore the ancient multilevel adobe buildings, while visiting (and shopping), at Taos Pueblo 

Shop for jewelry and see some cool contemporary (local), Art in Taos Plaza

Visit the historic Hotel La Fonda and see D.H.Lawrence’s erotic paintings.

Check out the Saturday morning farmer’s market also held in the square.

Get a sense of the Wild West at the Old Taos County Courthouse

Visit the Blumenchein Museum (celebrating its Centennial Year), and the Harwood Museum (for Judy Chicago’s Birth Project), on Ledoux Street.

Check out the shops (and El Gamal for lunch), on Dona Luz in Guadalupe Plaza, while listening to the church bells ring.

Shop till you drop at the John Dunn Shops

Take a lunch break at Lamberts or the Bent Street Deli.

Walk up and down Bent Street for the best shops and galleries in the Heart of the Historic District, before turning right on the Paseo for more discoveries! Bring a large, packable tote.

Head up Kit Carson Road – Taos’ own Gallery Row – for more art and perhaps a trip or two back in time at the Kit Carson Museum and the Couse/Sharp property.

No stroll up this street would be complete without tea at Teo-o-graphy and a Tarot Card reading at Optimysm in the magic alley!

Then off to the Taos Inn for one of its famous margaritas before heading to dinner at the Love Apple.

Next day grab an espresso to go at the World Cup Cafe, before breakfast next door at Manzanita Market.

A stop at Chokola is a must!

Learn to make tamales at Cooking Studio Taos

Check out the Taos Art Museum at the Fechin House

Tour the sustainable Greater World  Earthship community

Go rafting on the Rio Grande

Walk across the Rio Grande bridge and keep an eye out for bighorn sheep

Go mountain biking in the Sangre de Cristo foothills

Hike the Devisadero Loop overlooking the town

Climb Wheeler Peak on the Bull of the Woods Trail

Hike to Williams Lake and see the summit waterfall

Go horseback riding anywhere you can

Check out the (clothing optional) rock pools at Stagecoach Hot Springs and have an Easy Rider flashback

Visit the Millicent Rogers Museum and see her amazing collection of Native crafts and jewelry

See demonstrations of life in the 1800s at La Hacienda de Los Martinez

Take photographs of the San Francisco de Asis Mission Church

Climb into a kiva at Pot Creek Cultural Site (don’t try this at Taos Pueblo.)

Drive the Enchanted Circle Scenic Byway for incredible vistas

Take the Low Road to Santa Fe and stop at a winery or two, in the oldest grape growing region in the U.S.

Experience  the landscape that inspired Georgia O’Keeffe’s famous paintings at Ghost Ranch, and check out the White Place (Plaza Blanca) while you are at it

Soak in the mineral springs at Ojo Caliente, and after the waters’ restorative powers have worked their magic, you’ll be ready to head back home on a high.

For much more to do aqui en Taos, as well as how to get here, get around and where to stay, please visit Taos.org, linked below this post.

taos,org

 

All images stock files

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Wendy Shuey Dives Into The Mystic

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Taos is not just a music destination.

It’s also  home to many musicians who live, work and play here. One of them, Wendy Shuey, a Renaissance woman of sorts with a serious background in film and video, has lived in Taos off and on since 2000. 

I first met Wendy at my daughter Genevieve’s home one summer night almost a decade ago, where a bunch of Taos creatives had gathered to share music and stories; to jam and dance and just be themselves. She and her musical collaborator, Jeff Sebens, blew us all away with their great energy and funky sound. Turned out they were also friends with my son Joshua, which didn’t surprise me in the least. I loved them both at once!

After I did a piece on Noel Anderson’s most recent show at Magpie, and discovered that Wendy had taken the shots of Noel’s amazing work, and had built a website for the artist, I reached out to her. 

It took a few months for all of this to come together – I’m pretty busy on my end, with taoStyle and other writing projects, and so is Wendy! She recently returned from a trip to South America; a vision journey with Shamans (and Yoga), diving into the Mystic in the jungle. I ran into her days after, and we determined to make this happen at last!

1) Hi Wendy, can you tell my readers a little about yourself and how you landed in Taos?

W) I moved to Taos from New York City, after producing and directing Live Music Channel, a series about top rock n roll artists such as Bjork, Jane’s Addiction, Flaming Lips, etc. Interviewing and creating live concert videos each week.  It was nonstop. As a result I was yearning for space and desert, opposite of the hustle in NYC even though I got a thrill out of the fast pace for a few years.   

I escaped the city and moved to Taos in 2000.  I lived on a historic farm in El Salto with donkeys, emus, peacocks, ostriches, sheep, cows, rabbits, goats – all running freely around the property (except buffalo in the back pasture other than when they would escape with thunderous trampling similar to an earthquake).   The farm was a hilarious welcoming to Taos juxtaposed with my previous residence of the concrete jungle. I was moved by the community here, easy to find my tribe and musician companions. Taos was a breath of fresh air, a place which seemed to encourage everyone to be themselves.  Yet there also seemed to be a demand in Taos to “show up” and do the work. I was willing to do the inner work and the mountain opened her arms. 

I moved to Taos originally with my partner at the time, Adam Fox, who was also a filmmaker.  I was creating music as a drummer in a trio dynamic rock band, Your Neighbors (Dino Recla, Seth Delia & myself).  I was lucky enough to land an editing gig – cutting a 26-part series on Buddhism funded by the Richard Gere foundation. 

Taos had a flourishing underground music scene at the time – punk and metal based – and our band played out as often as we could – shindigs on the mesa; the bike co-op; Herb’s Lounge etc. We all avoided live music at regular bars and venues – Herb’s Lounge in Hondo was the only exception.  My original plan was to make a “pit stop” in Taos while moving from NY to LA since my bread and butter was mainly video/film production. The Taos “Pit stop” was a little longer than expected – almost two years – but I finally made the move to LA in 2002.

The first year of living in LA was difficult – from the surface I saw it as an un-grounded materialistic cesspool and incredibly different than the vibe of NY and of course many moons away from Taos. It was a challenging adjustment, but in retrospect, the city was extremely good to me as I continued to improve my craft of editing, telling a story through the screen. I love editing, and I think when one does what one loves, it can truly shine through, both through product and creator.   

Since Taos was far away, I made a “Taos substitute” by buying a shell of a cabin in Joshua Tree and fixing it up bit by bit.  I had to get my hands dirty in the desert to balance my work and life in shiny and domesticated los angeles. As the years went on, I was able to pick and choose my projects, amidst my heart continually steering me towards Taos.  I did listen in, but i would not take action for years because my career was taking off in a way I never thought possible. Then finally after nearly 10 years of living in LA, it dawned on me to truly listen to my heart otherwise it may become less and less audible. Even though I was finally on the top of the production game in LA, I made the impractical plan to move back to Taos.

It was not a logical decision by any means but I knew it was the right move as on a cellular level there was a strong YES to make the leap and I was filled with excitement.  Excitement of freedom ahead, community, nature, space, growth. As I was nearly finished packing with boxes in my loft, I drew only one card from my Tarot and drew the Fool, taking the leap off the cliff into the unknown.  

With the help of Genevieve Oswald’s encouragement when visiting her home one afternoon, I visualized how to bring some of my editorial work to me in Taos – working remotely.  The visualizations worked! It all fell into place. So anyone reading this who wishes to create a different reality… visualize it and it will happen if you allow it.   

Now after being settled in Taos nearly 7 years, I can edit documentary features on my own Avid editing suite such as Plastic Paradise and The Black Zone, etc. I have more freedom to take on more meaningful projects than I ever could before – all in the comfort of my home, often editing in my pajama onesie!  Editing is a creative position, and as long as I build a structure for my editorial shifts, it’s actually more productive to edit here than in an LA posthouse. This path is what my heart needed, and I’m glad I listened. I couldn’t be any happier in my life. 

Many things have become clearer and clearer as I undergo internal work and make room for meditation retreats.  I’ve also been able to listen in more closely and have created space to work with Hospice and recently became certified from the Conscious Dying Institute in Boulder as an end-of-life doula coach to help tie up loose ends to prepare for our biggest transition. I also am in the path at the moment to speak my voice and others’ voices; speak of consent and grey areas associated with consent; encouraging and reminding women of their beauty and power, and last but not least honoring the feminine energy within men for balance to take place. I’m working on a PSA (public service announcement) video treatment on consent at the moment.   

Since in Taos, I also met up with a loving and like-minded partner, Ryan Beckwith, who I adore and love very much.  

2) Apart from a background in film, you are a talented musician (a drummer), long part of a duo/band with Jeff Sebens – Could you both tell us a little about your musical journey together?

I have a bandmate, Jeff Sebens of bubbleGUN, who ventures to Taos each year to dive into music with me.  We soar “underwater” writing new music, cooking, hiking and laughing hysterically.   I am grateful for all the twists and turns in life. I embrace challenges and shadows now with open arms, for that’s the substance of why we are truly here in my opinion. Shadow work is what Jeff and I often write about musically. 

I wondered how difficult is was to collaborate in a long distance musical relationship? Wendy kindly posed the question to Jeff.

JS) In regards to our rock n roll duo, bubbleGUN it Is timeless , unique and magical … we have never stopped creating music whether near nor far … we pick up right where we left off and no one I have played with has been able to duplicate or replicate.

3) Wendy, what’s in your immediate creative future musically that you can share with us?

W) We have made several recordings over the last few seasons , in Taos, in Joshua tree and at our original rehearsal space in downtown Los Ángeles . Where we created our first album entitled “Greatest Hits Volume 1” and lots of other recordings that have not been heard. Our last album we recorded at Frogville Studios in Santa Fe, The Space In Between

We have recorded a couple of albums and it is just the beginning. We have developed and journeyed into a deeper dive … a more instrumental and cinematic space . Exploring new territory and straying away from “traditional “ singer song writer verse chorus verse chorus songs. Dramatic music , with thundering tones and ghostly whispers…..

( in the spirit of Mogwai, Sigur Ros, Xx but with Marshall half stacks and fender Rhodes )

We have never been about the glitz and the glamour but always about the right part for the right song. Whether it’s a vibe , a feeling , a disturbance or a healing . The music starts from nowhere .. we don’t force it , it comes naturally or not at all … it just develops. Someone will pick up an instrument , or play a melody , or hear a sound , and it starts to morph into something special . Tribal drums … haunting echo … broken piano … eagle feathers … wind chimes …sound bowl … breathe … silence .

5) What inspires you both to keep on keeping on?

W) We are very excited for the next adventure In our lives and we cannot wait to deliver it to you . We will continually be recording and exploring new sounds. We would like to play live shows after the next record , and will be having more players join us on our new recordings and live shows …

Long live the Gunnn…

 

For more on what Wendy does, and to listen to the duo’s albums, please visit the sites linked below.

bubble-gun/bandcamp

bubbleGUN – Facecrack: 

facebook/bubble-gun

bubblegun.com

Wendy’s editorial reels:wendyshue.com and vimeowendyshuey

End-of-Life Doula: endcomplete.com

 

All photographs thanks to Wendy Shuey

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Crypto Jews Hidden In Plain Sight

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When I first arrived in Taos in 1981, I remember calling my father to tell him some great news!

The Espinozas did not all perish, I informed him, they live on in Taos. They even have roads named for them.

Although my dad was in no way Spanish, he was a Spangophile (and an Arabist), proud of the oral family history that informed him of not so distant, Babylonian roots; Jews who had remained in the Fertile Crescent after the first Diaspora. Descendents of the High Priests of the Levites. Kohanim.

He despised Zionism, loved Arab and Spanish Culture (the Moors), and spent the last twenty years of his life living in Mexico, where he fled to after George Bush Sr. was elected POTUS.

“America’s gone to the dogs,” he told me upon his arrival in Guadalajara. “Mexico is still civilized.”

Family lore passed down told of a town in Georgia in the late 1700’s, that lost their Kohane to old age and needed a new one for Brit Milah’s and other ritual events. His great, great-grandfather came from the Babylonian Academies to do the duty. He married a local Ashkenazi woman and voila! From Russia they eventually arrived at Ellis Island in 1897.

My great-grandfather, Nathan Cohen was a Scribe. He copied Sacred Texts onto vellum he prepared himself. Presumably from animals he slaughtered; he was a Shochet. A ritual slaughterer,

Nathan’s son, my father’s father, married the daughter of my great-grandmother Miriam, a descendent of Bohemian and Austrian Jews who had moved to Vilna where they owned a Mill before they also fled Europe for the New World. My paternal grandmother was born in NYC in 1900.

Fleeing was a common theme in the stories I heard. My father’s mother told me all she knew. It’s been a treasure I’ve guarded fiercely along with the photographs left to me by she and my late father.

On my mother’s side, I was not so lucky. My mother’s mother died when I was six, though I remember her vividly. A beautiful woman with Auburn hair and blue, blue eyes with skin like milk. Her mother’s maiden name was Espinoza. They were Spanish and Portuguese Jews who had wound up in Amsterdam.

Her father was Ashkenazi but my grandmother carried on her mother’s traditions as daughters are wont to do; from the food she cooked to the insistence on the children being educated in Catholic Convents and monasteries (“If the Inquisition returns, you’ll know how to say Mass.”)

When the time came to choose a school for me, my father (the son of by now, secular NY Jewish intellectuals), balked at the thought of my education being supervised by nuns, and the compromise was an all girls Anglican school. “For the education, darling, “ I was told.

I was also told that the Jews of Amsterdam (including my Espinoza relatives), had all perished under Hitler. Essentially they were extinct.

Well now, I had found them on Espinoza Lane in Taos!

“Oh yes,” my father told me, “Hispania is full of the descendents of Jews. They all converted to Catholicism though, so they no longer count.”

Did he count having declined to follow in the ways of his forefathers? I don’t think he cared. Ethocentricity was not part of his philosophy, which was all-inclusive.

“The only pure race exists in the mind of a Hitler,” he liked to say.

When Arthur Koestler’s controversial book The Thirteenth Tribe came out, he sent it to all of his Jewish friends. The book claimed that the descendents of Eastern European Jews were in fact due to a Turkish Tribe (the Khazars), who had converted to Judaism in the 13th Century.

My father died delighted with the idea that he was the son of wild Turkish horsemen who roamed the Steppes and plains of Western Asia. A few years after he passed away, my brother had his DNA done. It went straight back to Babylon, on to Jerusalem and back again! With the Cohen Modal Marker firmly imbedded in the Y chromosome. J1 Haplotype – common in the Arab world and among Mizrahi Jews.

Now imagine if you will, the descendants of Jews pursued by the Spanish Inquisition, still tending the dying embers of their faith hidden in the mountain villages of Northern New Mexico. Perhaps even a few Espinoza’s still among them.

The story has resonance, and has, over the years generated considerable interest.

The phenomenon’s first whispers can be traced to Stanley Hordes, who in the early 1980s was New Mexico’s state historian. New Mexico is a state in which history matters more visibly than in most. Santa Fe was for generations the northernmost seat of rule for Nueva España — the New Kingdom of Spain, Madrid’s colonial holdings in the Americas.

Today Santa Fe is the nexus of a tourist industry that has gained international cachet by happily marketing the history of the Conquistadors along with the Peoples they vanquished. Santa Fe’s entrepreneurs – who mostly come from the East and West Coasts, and from the ethnic group that New Mexicans call Anglo – also market Native made, expensive silver-and-turquoise jewelry, weavings, moccasins made from fringed and beaded leathers, and quaint wooden figures of saints, called Santos.

Beneath this layer of consumerism Santa Fe and its environs harbor a population whose forefathers were the victorious Spaniards, and who have experienced steady impoverishment at the hands of newcomers to the region.

Many of these New Mexicans call themselves Hispanos – not Chicano, because that word signifies Mexicans, which in turn implies an admixture of Indian blood, and not Hispanics or Latinos, terms that also leave open the possibility of descent from Native Americans, whether from Mexico or the United States. Although many Hispanos have the features and dark complexions that speak of mestizo heritage – people of mixed Spanish and Native American ancestry – they deny it. As they see it, their heritage has nothing to do with the Aztecs or Mayans, let alone with the Pueblos. In fact, most Mexicans in the area arrived only recently, bringing their urban Spanish, their immigrant status, and their readiness to take low-paying tourism-driven jobs, and thereby, reportedly, depressing wages for local Hispanos.

Once, Hispanos labored on their own land, granted to their intrepid forefathers by the Spanish Crown, but in the past two generations, under pressure from an influx of Anglos and rising land prices, thousands of them have sold off parcels of the Land Grants, leaving them impoverished and forced to take menial jobs.

The Land Of Enchantment continues to promote a tri-cultural utopia, but in reality and off the tourist track the last locals suffer from both nostalgia and resentment. Elderly men and women yearn for their villages, describing them with romantic imagery that evokes the dreamy paintings for sale at our galleries but few remember that these same villages also had a darker side. There were quaint hand-carved santos, but there were also priests who zealously monitored their parishioners’ reading matter and behavior, while looking for signs of heterodoxy.

Such vigilance was infused with a paranoid anti-Protestantism, but often it was also cloaked in anti-Semitism. In the seventeenth century New Mexicans came to the attention of the Holy Office of the Inquisition. In the late 1600s the governor of New Mexico and his wife were accused of practicing Judaism; soon thereafter the same charge was leveled against a soldier and bureaucrat named Francisco Gómez Robledo, who was also said to have a tail -supposedly the mark of a Jew. All were examined by the Holy Office. All were acquitted.

Then in 1981 New Mexico was seeking someone for the post of state historian, and Stanley Hordes was awarded the job. He had just defended his doctoral dissertation, written at Tulane University, in New Orleans, that dealt with the Jews of colonial Mexico. More specifically, it dealt with what are known as the Crypto-Jews  –  a people whose ranks swelled in 1492, when King Ferdinand and Queen Isabella of Spain ordered all Jews to convert to Christianity or be banished from the kingdom.

Up to 50,000 of Spain’s 125,000 to 200,000 Jews were baptized, joining 225,000 descendants of the converts of previous generations. The others would not give up their religion. Some fled to North Africa, Italy, and Navarre (then a kingdom on the border between Spain and France). Many more went to Portugal, though Portugal itself would soon demand conversion, and thousands of Jews there also underwent baptism.

In both Spain and Portugal many Conversos sincerely embraced the Church and intermarried with so-called Old Christians. A smaller number, however, continued secretly in their old beliefs, under cover of Catholicism. These were the Crypto-Jews. I have come to believe, my own ancestors for a time, were among them, until they arrived in Holland and were free from persecution before Hitler came…

In 1991, after returning to Taos from NYC, Anita Rodriguez, the famous Taos writer and artist, took me under her wing and began showing me a few ropes, She had learned of my Sephardic heritage and as she was painting Crypto- Jewish skeletons at the time, she decided to let me in on a few secrets,

“Oh, and you must talk to Stanley Hordes,” she said, putting me in touch with him immediately.

As I listened to Hordes describe unusual customs and gravestone markings (which I have since seen for myself), I began to rethink my own past. My family practiced Judaism and had shown no interest in the Catholic saints, but sent their kids to religious Catholic schools!

Here I learned that certain families too, even though they claimed they were Catholic, hardly observed.  Hordes told me that one woman recalled her parents drinking Manischewitz wine and lighting candles on Christmas. She asked why they were drinking Jewish wine. Because it was “clean,” she was told. Hordes realised that”clean” meant “kosher.” As for the candles. “There were always candles,” she had responded cryptically.

He told me about various other customs practiced in Northern New Mexico, including the ritual slaughtering of animals. That hit close to home!

Through Anita I met other people, who told me they believed they were Jews. One of them, Vicente Martinez, the uncle of Maye Torres and direct descendent of Padre Martinez showed me his family tree.

Their first ancestor to set foot on this Continent was Jose Espinoza, a known Converso, who soon after his arrival in El Norte, was sent to Mexico City to be tried for Judaizing.

At this point Hordes was helping to organize a new group, the Society for Crypto-Judaic Studies, which facilitated connections among people who suspected that they were descended from Crypto-Jews.

A woman I met, claimed to belong to a clan that had practiced Crypto-Judaism for generations. She showed me  a family heirloom she said dated from colonial times: a mezuzah. Some of her relatives recited ancient prayers and folk rhymes that she believed were Ladino. She also remembered the practice of hanging lambs and goats upside down after slaughter in order to make the meat kosher by draining the blood.

Another woman had skin like mine; fair with a vaguely olive cast, and her eyelids, like my own were slightly hooded. She read a lot into these features. She said when she went to college in California people would comment on her appearance. Some told her she looked Sephardic, before she knew what that word meant.

She told me that she had always felt different, not just from the Anglo kids but from Hispanos as well, and she often wondered about her true origins. Once, on a visit from California, she suggested to her grandfather that their family was mestizo. He vehemently denied having Native American blood: “We are Spaniards!” he proclaimed.

Years later, after meeting Hordes, she began to understand. This was but one of many stories I came to hear over the years, thanks to Anita who pointed me in that direction. Anita too believed she had some Jewish blood through her father, but no such thing showed up when she had her DNA analysed. She did however have Iberian traces showing up.

Last month my daughter Genevieve sent her saliva off to 23 And Me. The results were intriguing. 49.7% Ashkenazi Jew. Then the admixture from her father. Maternal Haplogroup V?

Relatively rare – 4% of Europeans have it – it reaches its highest frequency among the Sami (the indigenous Reindeer herders of the Arctic circle), the Basque and their Cantabrian neighbors, as well as the Tuareg in North Africa! Go figure. My older daughter and my own curiosity piqued, Angelica decided we should have have it done also, and gifted me with a kit from 23 And Me.

My results arrived over the weekend. 98.2 percent Ashkenazi Jew. But here, it gets really interesting. My ancestors appear to have only recently entered the Ashkenazi gene pool, which begins for me, somewhere around 1800. Only 200 some years ago. All other great great grand parents prior, going back to 1600 (post Edict of Expulsion), were Spanish and Portuguese (and Western Asian), affirming all I’d been told.

This morning I messaged Anita telling her my results. I love oral history that doesn’t lie, I added.

“Let’s get together soon!” She responded.

When we do I will tell her that I have done a bit of research and discovered that both Ancestry.com and 23 And Me rarely differentiate Sephardic and Mizrahi Jews from other European Jewish groups; rather they say there’s an Iberian (or Spanish/Portuguese), trace and regarding Jews from Arab lands, Western Asian is the label they use. Aso so many of the refugees from the Iberian Peninsula (and further afield) eventually intermarried with the extant Jewish populations and were assimilated into the prevailing culture, so are now broadly labeled Ashkenazi or European Jew. And in my case, almost 2% of unknown heritage along with a stubborn blonde, blue-eyed recessive gene, points north to the land of the Laplanders and their Reindeer herds.

My father was correct, there is no such thing as a pure race, We are all related. And in these times, more than ever, our differences along with our commonalities need to be remembered and celebrated!

In Taos you can visit the Martinez Hacienda to get a glimpse through a doorway into the not too distant past; a small room has been reimagined as a secret meeting place for prayer, complete with a menorah on the altar. Perhaps Los Hermanos made up the Minion, and gathered there on Shabbat, behind the sacks of beans and grain, stored for the winter.

For more on New Mexico’s secret Jews, please visit the sites linked below.

nmcryptojews

martinezhacienda

To see more of Anita Rodriguez’ amazing paintings of Crypto Jews and all of her work, please visit her site below

anitarodriguezcryptojews

 

Editor’s note: Spain and Portugal now both offer Jewish descendents of those who left under the Edict of Expulsion in 1492 (during the same month Columbus sailed, his expedition financed by the sale of their stolen property), EU citizenship under the Right of Return. It requires proof of Sephardic heritage and your family name must appear on the lists they provide, but I encourage a boycott of this proposal until the children of the (Muslim) Moors who were also thrown out at the same time, are included in these reparations.

 

All images of Anita Rodriguez’ Crypto Jew paintings, thanks to the artist.

anitarodriguezcryptojews

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Local Flavor Honors Joy Harjo & Partners With New Mexico True

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Local Flavor’s August issue is on the stands and online.

As always, this mid- summer offering from Northern New Mexico’s “ culinary and cultural arts magazine,” is filled cover to cover with everything you could hope to discover in the Land of Enchantment; from the best restaurants to the people who make our state so great, Local Flavor has its fingers firmly on the pulse of what’s happening in High Country.

It’s always a pleasure to share these monthly missives from Patty and Cullen, and this month is extra special for a few reasons: Joy Harjo, the new Poet Laureate of the United States is of course a part of this issue, along with Todd Christensen, the recently appointed director of the New Mexico Film Office. Todd is no stranger to Taos (his son Joshua Concha ties him forever to this valley), has a new show up at taoStyle fave, the magpie gallery, called Trees Talk. I’ll have more on Todd and his trees on the blog early next week!

But the best news that arrives with this issue of Local Flavor Magazine, is its partnership with the New Mexico True Certified Program, beginning with this August 2019 issue.

For 22 years, Local Flavor Magazine has been sharing stories about the people, food, wine, Arts and  crafts that give the region its unique flavor. 

“We’re excited for the New Mexico True and the Tourism Department partnership. It’s just brilliant to reward and celebrate those who are 100% Made in New Mexico as we are,” says Patty Karlovitz, the magazine’s editor and co-publisher with her husband Peter. “Our name tells you everything. We are local flavor, right down to our relationship with the Santa Fe New Mexican, where we’ve been printing our monthly magazines since 2007.”

The New Mexico True Certified program brings national attention to the quality, care and craftsmanship behind products that are uniquely New Mexican. Local Flavor Magazine joins “300 other businesses that are producing thousands of NM True Certified products,” according to Andrea M. Lawrence, Brand Development & Marketing Specialist for the New Mexico Tourism Department.

Over the last year, Local Flavor has noted that more and more people visit New Mexico, many of them for the first time, and have moved to provide even more resources for both visitors and locals alike. Sharon Niederman, author of Explorer’s Guide New Mexico, pens a monthly column titled “On the Road,” highlighting little-known, yet well-deserving destinations throughout the four corners of New Mexico.

Local Flavor also devotes a two-page spread titled “Road Trip” to statewide advertisers such as Las Vegas and Silver City who desire to be seen by Local Flavor’s 100,000-plus monthly print and digital readers. And recently, the magazine has adopted a column written by New Mexico Wine Executive Director Chris Goblet, in which he features the state’s burgeoning grape-growing and wine-making locales.

“Through our partnership with New Mexico True, Local Flavor is excited to continue to be acknowledged as an important destination for advertisers seeking to reach an expansive statewide audience, and for the stories told about the passionate, authentic people who live and work here,” says Karlovitz. “We feel that the True program recognizes the uniqueness in all of the partners and we appreciate the honor of the collaboration.”

taoStyle is is equally honored to have Local Flavor as a partner and Sponsor in our shared, concerted effort to continue bringing The land of Enchantment to the world at large.

This month Cullen Curtiss, the magazine’s Editor informs us that : “Our August issue celebrates a rebirth and a birth in Santa Fe’s culinary scene, and honors Native women, in particular, a teacher, a songstress, and a poet whose respective work sets out to preserve Indigenous languages.”

August of course being Indian Market month, this issue is both timely and relevant!

SOUL TALK with JOY HARJO, Poet Laureate of the United States. New Mexico claims Joy Harjo (Creek) for her time spent at IAIA and our University, but the United States now appoints her Poet Laureate because her soulful words universally resonate.

THE VOICE OF OUR ANCESTORS.Writer Lynn Cline shares Tewa language teacher Laura Kaye Jagles’ (Tesuque Pueblo) work helping youth appreciate, deepen, and embrace their native tongue.

ALL OF ONE CLOTH. Writer Stephanie Hainsfurther speaks with Kansas Begaye (Diné), singer, composer, and founder of Changing Woman Initiative, a health collective that brings Native ceremony to childbirth.

SANTACAFÉ. Editor Patty Karlovitz writes about santacafé’s new owner, “Quinn and his team of professionals are dedicated to preserving the culinary traditions and integrity of Santa Fe’s dining scene. You are in for a marvelous unveiling.”

SASSELLA, SHOOTING FOR THE STARS. An exquisite partnership among Chef Cristian Pontiggia, Chef Fernando Olea, and Lawrence and Suzanna Becerra assumes residence at the refurbished, early 1900s’ brick building on Santa Fe’s Johnson Street. Chef Cristian helms the kitchen, and by design, hails from the town in Italy that bears the restaurant’s name.

ON THE LINE, Coyote Café & Cantina.Writer Mark Johnson delves into the story behind Benjamin Esperanza’s rise through Santa Fe restaurant kitchens to his spot running Coyote Café’s Cantina.

STILL HUNGRY FOR TRADITION. Thank you to High Noon Restaurant and Rancho de Chimayo Restaurante for preserving the traditions in food, service, and family that continue to make us love them.

ON THE ROAD. Author of Exploring New Mexico, Sharon Niederman is back this month with more road trip recommendations for your summer adventures, including the Colfax County Fair & Rodeo at the Springer Fairgrounds.

CHEF’S BUZZ. Writer Lynn Cline is all over our Northern New Mexico region to give you the top hospitality news, including Flying Star Cafe’s 32nd birthday and an imminent remodel.

TOP TIX. What would we do without Top Tix columnist Stephanie Hainsfurther’s tips on the hottest performing arts tix in town, including Aspen Santa Fe Ballet?

ART BEAT. Writer Mia Rose Poris’ picks for your August gallery-hopping, including recently appointed director of the New Mexico Film Office Todd Christensen’s exhibit at Taos’ magpie gallery called Trees Talk.

Pick up a copy of Local Flavor at more that 500 locations statewide, including Cid’s aqui en Taos, or visit them online at their site linked below.

localflavor

 

All photographs thanks to Local Flavor

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Rio Grande Serenade

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UNM – Taos Digital Media Arts is taking it to the next level!

With Rio Grande Serenade, the UNM-Taos Digital Media Arts Program is involved in its most ambitious project to date; a documentary film about the river that runs through the heart of Northern New Mexico; a paean to El Norte’s source of life.

Shooting with Canon large format cameras and Go Pro’s (in the air and water) this documentary film features snowstorms, mountains, rivers, high desert wildlife, a 30 million year old tectonic rift and the stories of those who call it home. This film portrays the “epic saga of water and survival” in the high desert of Northern New Mexico. 

Today this watershed is under incredible stress as management agencies must allocate water for desert cities like Albuquerque and Santa Fe. This film acknowledges the rich history and modern challenges as a canvas for telling remarkable stories of resilience and survival.

I met with UNM-Taos DMA Chair Peter Walker last week to discuss the ongoing project. He was, needless to say, excited about the project as well as the DMA Program itself.  “In the spring of 2019 we graduated our first six students with their Associates degree in Digital Media Arts and one student with his core completion of all eight media classes.  With these skilled advanced students, we are now able to produce high quality media that matters.”

Peter said his program recently received a media entrepreneur grant to train students in using cutting edge technology and developing high level skills for a successful career.  This documentary project is a perfect venue for students to get hands-on experience with a production which is bound for distribution into the film industry. Also, Canon and UNM-Taos have created a partnership with Digital Media Arts to support the program via social media PR from their New York Headquarters as well as sending out additional cameras and lenses to be used in the shooting of this film. These students have earned and accomplished so much, thanks to the support of the UNM-Taos Administrative team

The tight production schedule has followed the Rio Grande’s rise as spring snowmelt flowed down from the top of the Sangre de Christos to the Albuquerque Bosque down south. The crew has met and documented many interesting people along the way who have forged extraordinary relationships with the river and its environs.

“The strong tradition in Taos of keeping a watchful eye on natures’ fragile resources and fighting to defend them, plays a big role in the storyline,” Peter told me.

One of the people that the film zeros in on, is Cisco Guevara, owner of Los  Rios Rafting company. 

A river runner since his teenage days in Los Alamos, where his father was a scientist, Cisco has become a New Mexico legend: In 2010, he was named one of the Top Ten River Guides in New Mexico. But Cisco is also known for his gift as a storyteller. Guevara’s stories range from his rebellious youth, to tales that draw on his Hispanic and Native American heritage, to hair-raising adventures in the wilderness, to haunting tales of love and loss. 

The decision to make the film at this time was a matter of many factors coming together. Documentary Film Festivals are rising in popularity, and the Telluride Mountain Film Festival recently celebrated it’s 41st year and Peter was able to take his advanced students to the festival for five days. They are supercharged to create a documentary of their own which can be entered for the 2020 festival. The Rio Grande was recently put on American Rivers’ 100 most endangered rivers list, making Rio Grande Serenade both timely and relevant!

From the Taos Ski Valley, where the crew will be filming to tell the story about the resort’s relationship to the snowpack that feeds into the Rio Grande, the DMA students also are filming with Acequia Farmers who are irrigating their lands using ancient yet practical techniques that deserve to be shared on the big screen. 

The Taos Water Protectors who continue the long tradition here, of keeping a vigilant eye on our fragile resources, are included in the documentary,  as are the river guides and adventure seekers who work on the river, which provides hundreds of jobs, annually. 

The film is a serenade which means music plays a role here too; “The audience will enjoy original music sequences throughout the film. Spanish guitar, soulful ballads and ambient sounds are used to transport the audience from a dark theatre into the emotional magnitude of the high desert watershed. This is a playfully poetic and important story, without shying away from the tough conflicts that need to be exposed. It’s also very much a character driven film.” Peter said.

If you have been following my blog posts covering the UNM-Taos DMA Program over the past year or so, this is the culmination of an on-going process of cutting edge education that encourages practical application.

“We get out there and do stuff,” Peter said as our conversation came to a close. “This film showcases our program and students in the best way possible.”

As noted prior, Rio Grande Serenade will be entered for consideration at select Film Festivals, including the Telluride Mountain Film Festival. 

The team working on this documentary includes;
Peter Walker – Chair of the Digital Media Arts Program UNM Taos, Adventure Filmmaker 

Matthew Carman – Canon Rep who will be teaching his sixth UNM-Taos Canon workshop at the end of September 

Advanced DMA students 

Genevee Boyd – Aspiring production manager

Noah Yacko – Creative mind and emerging media entrepreneur  

Sally Savage – Screenwriter and winner of Canon video creator kit 

Colin Hubbard – Ultralight pilot, flying cameraman and winner of  Canon video creator kit

David Mapes – Gallery owner, special effects creator and winner of  Canon video creator kit

Aytr Cederlof – Multi-media creator and winner of  Canon video creator kit

Isaiah Galante – Sound engineer and local hip hop music producer

Stay tuned for more on UNM-Taos Digital Media Arts in the weeks and months ahead, but in the meanwhile, do visit their site linked below for more on what they do and offer!

UNM-Taos DMA

 

All photographs thanks to Peter Walker and UNM-Taos DMA

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Dog Days With Jack Mack At The Mothership

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It’s August.

The Dog Days of Summer are here, and in Taos that means music is in the air!

This Saturday, August 10th, Mattress Mary & Friends Present: The 10th Annual Concert Bash to Benefit STRAY HEARTS ANIMAL SHELTER At TAOS MESA BREWING  from 5-10pm!

The 10th annual  Dog Days of Summer Concert will feature Jack Mack And The Heart Attack, and will benefit Stray Hearts Animal Shelter in Taos – an organization dedicated to “ensuring a life free of suffering and pain for animals through education, spaying and neutering, and sheltering animals needing a home.”

The event has become a virtual institution and a favorite of locals and visitors alike. In its first year, the Dog Days concert raised $4,400.  To date, Dog Days has raised over $140,000 for Stray Hearts.

I visited Mary Domito at Taos Lifestyle (her flagship store), one afternoon last week. She was still riding on the high of her recent trip (with her two sisters), to London, Scotland and the Shetland Islands. An unforgettable journey that inspired them all. 

One of Taos most remarkable women, Mary Domito moved here from the Bay Area two decades ago and has transformed her own (and our lives), with her great stores and fabulous energy. Music has always been a huge part of her life, and once she moved to Taos, it began to play an even bigger role, especially in the context of the Dog Days event she founded and promotes annually.

“From the very start, the annual Dog Days concert has brought together the people of Taos with a shared love of music and animals,” said Mary. “And we’re so grateful for the continued support from all of our friends and partners here in Taos.”

Mary’s love of music reveals itself in the artists she books for these events, and this year promises to have everyone on their feet dancing. A perfect antidote to the times we find ourselves in!

Jack Mack and the Heart Attack Horns has been one of  Los Angeles’ fave “Rock’n’Soul” bands for over 3 decades.”

Their funky soul music – the band combines  American Soul roots with classic Blues – has a long, hard-earned and critically acclaimed, legacy of success in the music industry,  including: seven records, blockbuster movie soundtracks, along with hundreds of global television and stage performances.

The players include Jack Mack’s World Class horn section, “The Heart Attack Horns” plus one of New Orleans’ favorite sons, Mark Campbell, on lead vocals. 

The band members – all accomplished session musicians –  have performed, recorded or written for: Rod Stewart, Greg Allman, No Doubt, Stevie Wonder, The Eagles, Elvis Costello, Robert Cray, Keb Mo, Natalie Cole, Bobby Womak, James Brown and hundreds more. 

Their distinctive style of R&B /Soul music, is inspired by the artists that made up the sounds of Memphis Stax Volt, Muscle Shoals, Motown, Philly and James Brown. You have no doubt  heard their legendary horn section, “The Heart Attack Horns” on countless award-winning recordings by world-renowned artists, but what the band is most known for are their solid, energetic and stellar live performances.

Jack Mack has been described as “the real deal, authentic, extraordinary musicians and dynamic performers.” 

In addition to the great music, the event will also feature food, beer and wine as well as the famous Dog Days RAFFLE & SILENT AUCTION to win a $2,500 LUXURY MATTRESS!

A  lucky someone will be sleeping very well this Fall and Winter!

All proceeds will benefit Stray Hearts Animal Shelter. 

As always this is, as Mary reminded me, “very much a community event, with so many helping hands.” One pair of those helping hands belong to Lisa Gordon at Copy Queen, who helped with free copies of promo material.

Tickets are $25.00 door- For advance tix and more info, call Stray Hearts at 575 758-2981 or visit their site below.

strayhearts

For info on Jack Mack and to purchase tix online, see their site also.

jackmack

Mattress Mary’s flagship store, Taos Lifestyle is also linked here.

taoslifestyle

For more on the Taos Mesa Brewing Mothership, I’ve linked to their site too.

taosmesabrewing

 

 

Photo of Jack Mack thanks to the band, photo of Mary Domito lifted from her Facebook page, and photo of the Mothership c/o the Mothership.

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Trees Talk

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Todd Chistensen has a new show up at Magpie.

I have known Todd for many years as he is the father to the son of one of my best friends.

Wanda and Rhoda Concha will forever be the two long lost and found again, soul sisters of my heart. The grand daughters of Little Joe Gomez, these women were my angels when I arrived back in Taos after a decade in NYC,  coming back and forth from here, my mind not yet made up.

Because of these women’s intervention in my life, my own children had a blessed childhood, growing up in close proximity to Taos Pueblo and its culture. When Wanda passed on far too young, Rhoda and I found ourselves in midlife, on new paths. But when ties go deep, there is never any real separation and we are forever connected.

Wanda and Todd met when Rhoda was first married to Duane Hopper and the three of them lived at the Big House, where they worked for Duane’s cousin, Dennis. Helping him (and David Hopper), with overseeing the running of the rambling house Mabel Dodge and Tony Luhan had built. 

The early 70’s in Taos was a heyday period of sorts, and much of what we take for granted here now, began then. The influx of Hippies and the influence of the Counter Culture, collided with the tri-cultural community and Art Colony, that had co-existed here for some time, and things were never the same again.

Todd had come to town to work for Ken Price, and his and Wanda’s son Joshua Concha, is truly a product of those times; the confluence of cultures running through his veins, one foot in ancient tradition, another firmly in the here and now. Brilliant, witty and very sussed, Joshua is “family” to me and my kids. Along with all of the other Conchas and their offspring. And despite all outward appearances, it’s evident that Joshua carries a healthy dose of his dad’s creative DNA!

I last visited with Todd when he came up to see Lenny Foster before he left town. We sat outside the World Cup and talked about Lenny leaving and kids (Todd has two), and other stuff.

So when Georgia told me Todd was having a show at Magpie, I was excited to cover it.  

Although the show is already hanging, the opening and reception for the artist is not until next Saturday, August 17th (coincidently and appropriately, the start of Indian Market.)

I went to see the show the other day. Called Trees Talk, it’s quite powerful in its almost Zen- like simplicity; the trees – some with roots still balled up, others showing, growing deep, some framed by grids of saturated color, and yet others, surrounded by calligraphy of a kind – almost hieroglyphic – impart their knowledge quietly to the viewer, as if to say, “here I am, still standing, after all.”

If this show were a poem, it would be Haiku.

I sent Todd (who happens to be the recently appointed (by our Governor), Director of New Mexico’s Film Office, an email with a few questions. 

1) Congratulations on your new position as Director of the New Mexico Film Office! Can you tell my readers a bit about this, and how it came to pass?

TC) I have been making Art since 1975 when I went to work for Ken Price in Taos, and after a number of stops and lots of odd jobs and art openings I ended up in Venice CA and a guy comes by and instead of buying a painting he offered me a job and I did that as a Location Professional for 23 years and continued to make Art.  it also gave me the opportunity to move back to New Mexico – Santa Fe in 2006. 

 I had done ‘Off the Map’ in Taos in 2002 and started to make a plan to move back to where I wanted to end up.   So in 2018 after finishing the Coen Bros movie ‘ The Ballad of Buster Scruggs’ I felt I might be done with that career and put my name in to be the NM Film Director. 

The Governor appointed me in late May and I have been on a learning curve ever since.  I bring to that work the experience of my creative life and my film life and they intersect.  I hope to lead the NMFO into a positive and growth period for the films, crews and residents of NM.

2) You have a new show up at Magpie, called ‘Trees Talk’,  Please tell us about the trees (and what they’ve told you.)

TC) I have had trees in my paintings for a long time but I started concentrating on them through a doodle on my watercolor table and before that I was posting a tree of the day on Instagram and Facebook.  I also bought a 1920 baby quilt from a friend and started painting quilt designs and one day stuck a tree in the middle. Tree’s have always been in my life as a life force – nature’s glory and the wonder of the shapes of trees and branches and leaf formations.   I honor trees with this show and will continue with them as ideas surface.

3) You are no stranger to Taos, though these days you are based in Santa Fe – you have a long and very committed connection here. When did you first arrive in El Norte, and what brought you here?

TC) I came to Taos / Talpa in 1971 out of college to take care of a house that Jim Meeker and Ken Price bought – later the house was purchased by Larry Bell.  I helped and was around for their move to Taos. They were a wonder to me and eventually helped me decide to concentrate on Art and creativity. I showed Larry around,  we went on picnics and I spent a lot of time with Kenny and Happy’s family. 

I remember I showed up at Kenny’s studio one day and said I wanted to be his assistant and wanted only room and board and I would do whatever he needed me to do if I could watch and observe his process. 

In 1972 Josh was born and even though I left Taos, I always came back.  After living in Texas, NYC and LA and now Santa Fe, I have always thought of myself as a Taos Artist because that time – those artists in the early and late 70’s shaped my life to this day.

4) You have been an artist forever, though your life took a detour- and your long standing friendships with other artists in Taos (Larry Bell, Bill Gersh and Kenny Price among them), attest to that – how did the segue into film come about?

TC) When I was asked to help a Location Manager and there was a Union and Insurance and some possible steady money – they were all foreign to me.  

I  did a pilot TV show in 1996 and I liked the process and the creativity I could bring to that discipline.   I also said that if I am going to do this I want to work on movies. Two months later I was working on ‘As Good As It Gets’ and then 30 movies later and plenty of scouting I have hung up that hat.   

I have a gifted life; Josh my oldest son in Taos, is making jewelry and writing poetry,  and Austin my youngest is here in Santa Fe and working on movies as well. I live with Pamela Thompson and our dog Louie in Santa Fe.

5) Anything else you’d like to add?

TC) I look forward to being in Taos and seeing all my friends there at the opening on August 17th.  Tree’s show their scars and continue to grow – they are an inspiration in all their small, medium and large glory. 

Thanks Todd!

Todd Christensen’s show, Trees Talk, officially opens with a Reception for the Artist on Saturday August 17th, from 5-7pm at Magpie in the Overland Ranch Complex.

For more information on the show, please visit the sites linked below.

magpietaos

magpie/facebook

 

 

 

Photographs of Todd christensen, thanks to the artist. Images of Todd’s Trees, thanks to Magpie.

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The PASEO Makes Connections

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Next month, the Paseo Project will be back on our streets!

Once again, local, national and international artists will come together in Taos to participate in The PASEO 2019 festival on September 13 and 14.

A couple of weeks ago, I met with a few of the Paseo crew over at their new (temporary), Hub on Civic Plaza Drive. They are housed across the street from their old/new location, and although they have their board up, it still felt a bit like they’d just unpacked the necessities but lots was still hiding in boxes. “After the last Paseo, we had a flood in there, “ Matt explained, “so the Town gave us this building to use meanwhile.”

“I’m not sure how long we’ll be here,” he shrugged “So yes, we are still a bit like gypsies. But we have our board up.”

Although the Town continues to support the event, the festival’s organizers are mainly funded through Grants. (The LOR Foundation are a big supporter, and the Paseo peeps got on board with the Geocaching event happening through the end of next week, August 17th!)

Lucky for them Lili Rusing remains of their Board (and still writes Grants), even though she and her husband moved back East to the new hipster haven of Hudson. “We were awarded our largest ever thanks to her,” Matt told me. Lily has been a fundraiser for the Guggenheim among others. 

Agnes had recently returned from Switzerland where she’s been all summer installing a permanent installation at CERN. This is a huge honor, not to mention a really amazing accomplishment for Agnes, and she was still riding high.

“I have to go back,” she told me, “to finish it after Paseo.” She smiled. “But this year, it’s a lot easier for me,” she said, “I’m only involved in the Educational side of the festival.”

Agnes Chavez is a sci-artist and educator working “at the intersection of art, science and technology. In 1996 she developed the Sube: Teaching Language through Art, Music & Games – a curriculum now serving half a million elementary grade children in second language learning. In 2009 she created the STEMarts Lab an R&D Lab that explores an interdisciplinary exchange between the arts and STEM (Science, technology, engineering, math) as a way to engage youth in creative 21st century learning through social practice.

This has since  become a huge part of the early exposure to digital media arts and sciences in our schools. All of which are involved in Paseo this year, with all the visiting artists doing hands on work with the kids in all of our schools. “Even Questa!” Agnes looked pleased. “Eleven schools this year!”

The STEMarts@PASEO Curriculum Tool was specifically designed for the PASEO Festival. Every year the Paseo builds free STEAM (Science, Technology, Engineering, Art, Math) educational programming and online curriculum tools around the visiting Paseo artists that integrate STEM into their art-making process. 

The festival  brings local, national and international artists into the schools and in turn, brings students to the festival for engaging STEAM experiences such as classroom workshops, online curriculum tools, artist talks and internship opportunities.

This STEMarts curriculum tool is one of many free activities and events being offered to middle and high school students and teachers. Participating Taos County schools can use the site to learn about the artists before the festival to deepen the learning experience.

Students and teachers anywhere in the world can also use this online tool to discover exciting new media artists and the science research and STEAM activities related to their work. Learn more about this free program by visiting the STEM/Paseo link included below the post.

Matt Thomas is an architect, artist and founder of Studio Taos, an interdisciplinary design and research firm based here in Taos, New Mexico. A graduate of Columbia University Architecture and Urban Design Program and long dedicated to our incredibly diverse creative community, Matt is also an organizer of Pecha Kucha Night Taos and until recently, managed the art collection at the Harwood Museum of Art in Taos.

Paseo was always envisioned by its founders (Matt Thomas and Agnes Chavez), as a community event. They have continued to keep the ethos of their mission clear; the Paseo will remain as such, a free Community Event. And with that in mind, this year Matt zeroes in on a few things near and dear to his heart.

Having just vacated his post as Collections Manager at the Harwood, and returned from an Artist’s Residency in Finland, he like Agnes has his fingers in several pies. “I’m feeling good about this year’s festival,”he told me. “It feels like the first one that I really got to take the lead and I’m excited to present to our community.”  

“This year’s theme is “Connections.” A series of immersive and participatory art installations will celebrate, contemplate, and question our interactions with each other, nature, and the world.” He explained. “I have curated 32 artists this year, including our amazing acequia aqui artists.”

There’s been an open call for artists in Taos to apply to participate in this aspect of the Festival, begun last year. I featured the Paseo Project’s  Acequia Aqui at the time. Water is life, especially up here in the High Desert and at least one of the Paseo’s featured artists is all about our water!

Rica Maestas is a burqueña artist, author, educator, and social practitioner working in Albuquerque.  Rica is inspired by the surreal aesthetics of the desert and Southwestern folklore, as well as linguistics, history, and film.

“Acequia Madre” by Rica Maestas, In collaboration with Tessa Cordova and Las Pistoleras Instituto Cultural de Arte, is a series of surreal sunset and evening tours of the Taos acequia system led by the “most infamous acequia mother of all, La Llorona.”

During these performative tours, we will not only learn about the historical and cross-cultural importance of acequias in Taos and around the world, but also befriend the multifaceted, ghostly mother many  learned to fear as children. Though her tale varies by culture, region, and teller, La Llorona has many lessons to teach us not only about her own story, but about our precious desert waterways and the people that use them (you!). Like acequias themselves, she is a complex and dangerous giver of life in desert communities around the world. 

Along with the thirty plus other visiting artists making Connections, like Rica, this is the first time the Paseo will host an Artist in Residence.

“This is very cool and exciting development,” Rita chimed in. “It elevates the Paseo to another level.”

Rita O’Connell is on board again this year as Community Engagement Director& Festival Manager. As if she (like her cohorts), isn’t busy enough with other engagements (she’s a performer, writer, and producer of all manner of things), a co-founder of both KNCE 93.5FM and LiveTaos.com, she clearly is committed to the creative community here in Taos. 

She joined the Paseo team last year after living abroad for a time, while obtaining a Masters in Public Advocacy and Activism from the National University of Ireland, Galway. The Paseo crew are clearly a bunch of globetrotters and Rita is always on her way back to or from, somewhere! That afternoon however, she was in the building, albeit with a bit of a cold, but happy to be a part of Paseo.

“La Pocha Nostra…featuring  the transgressive Chicano performance artist,  Guillermo Gómez Peña, is this year’s Featured Artists in Residence!” She told me. “And you can learn more about that on our site.” I have included the link below.

La Pocha Nostra will host a workshop during the Paseo weekend. This 3-hour (1:00-4:00 PM) per day workshop includes a 5-day immersive in La Pocha Nostra’s foundational performance exercises & pedagogy.  Participants will be immersed in performance art with a focus on the human body as a site for creation, reinvention, memory and activism. 

The ‘Pocha workshop’ is internationally recognized as an amazing and rigorous artistic and anthropological experiment in which carefully selected artists from several countries and every imaginable artistic, ethnic, multicultural, and gender persuasion begin to negotiate common ground. “The workshop becomes the connective tissue and lingua franca for our temporary community of rebel artists.”

“There will be a lot more local involvement this year.” Rita told me. “New galleries and artists getting involved as well as our other local partners, like Twirl, of course.”

Rita is joined this year by Project Coordinator, Shanti Duval,  a web-savvy organizer who is passionate about giving back to Taos after a decade in NYC., but having grown up here. Another Project Coordinator, Jana Greiner  was at the Hub the day I dropped by. She’s also an installation artist who has been living in Taos for the past two decades.  

Estacia Huddleston also grew up in Taos. She’s a Community Planner and Placemaker working at the intersection of creativity and community.  She brings her experience in sustainable design, interactive art and place based planning to the Paseo for the second year.

UNM Intern, Audrey Valentine is a student artist at UNM Taos with a love for community art engagement and activism through medium, and is excited to be a support for the Paseo team this year.

“As this year’s theme is “Connections,” Matt reminded me, “it is a series of immersive and participatory art installations that will celebrate and question our interactions with each other, nature, and the world.”

“The festival will feature more than 25 works, ranging from low-tech to new media, but united by their active engagement with the public and with place, whether projecting on Taos’ adobe walls or highlighting its historic acequias.” He said. “This year we again take over the streets of Taos, transforming art and community. The artists and installations selected will again inspire and engage, while reminding us of the greater importance of connecting with each other, our physical world and most importantly, ourselves.”

“PASEO 2019 will feature the wild and wonderful to the quiet and contemplative.”

An international call for entries was held during the winter of 2018-2019. Hundreds of entries came in from all over New Mexico, the nation, and the world. A few highlighted artists coming to The PASEO 2019 are: along with the aforementioned La Pocha Nostra (Guillermo Gómez-Peña, Saul Garcia Lopez/La Saula, and Balitronica Gómez), San Francisco, CA ( the featured PASEO 2019 Artist in Residence.)

The Living Museum of Fetishized Identities is the next step in their performance research to develop large-scale interactive performance/installations that functioned as “intelligent raves and art expos of Western apocalypse.” 

This “living museum” is site-specific and is realized from a pre-festival workshop featuring different groups of local and international performers. Original music (live or prerecorded), video projections, cinematic lighting, taxidermied animals and twisted ethnographic motifs helped enhance the high-tech “robo-baroque aesthetic.”

Antonin Fourneau, from Paris, France, riffs on the water theme with Waterlight Graffiti, an interactive artwork in the form of a wall of thousands of LEDs illuminating in contact with water. The public is thus invited to express itself on this luminous surface by drawing or writing with a brush or a spray. 

And from Britney A. King (Diné / Chippewa Cree) and Jennifer Nev-Diaz (Chicana), Albuquerque TÓ ÉÍ ÍÍNÁ ÁT’É water is life- it connects us; cleanses us; fosters growth, and nurtures the world around us.  

There is so much more going on at this year’s event, it would take pages I don’t have to cover it all, but the theme of Connection runs through all the tributaries like a river; its confluence, the Paseo itself.

Connection to each other and the world we live in. What a great sentiment and one that could not be more timely. I’ll have more on the Paseo as we get closer to the date, but meanwhile check out their fantastic site for all the info on the amazing artists who will be in town this year, from near and far, and mark your calendars to save the dates!

For much more on the Paseo Project and all they bring to our community, please visit their site and Taos.org both linked below.

The PASEO 2019 dates: September 13-14, sunset to 11:00pm

PaseoProject.org

taos.org

 

The Paseo Project’s mission is to transform art through community and community through art. The Paseo Project is a nonprofit 501c3 organization that brings projection, installation and performance art to the streets of Taos. Its new community space, The Hub on Civic Plaza Drive, supports events and experiences for the community throughout the year. The Paseo Project is supported by the Town of Taos, Taos County Lodgers Tax Fund and numerous individuals, foundations, and business sponsors.

 

 

Photos of Matt, Agnes and Rita by Zoe Zimmerman

zoezimmerman

 

Paseo images thanks to the Paseo Project

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Patricia Michaels At SWAIA

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This week, taoStyle celebrates SWAIA.

Every August, our state capitol, Santa Fe, NM becomes the Santa Fe Indian Market, taking over the town’s  Plaza and surrounding streets. Hundreds of gallery openings, art shows and related events take place during the weekend of Indian Market and during the two weeks prior.

Collectors of Native art along with the artists themselves converge on Santa Fe. The Southwestern Association for Indian Arts (SWAIA) sponsors the event, which is estimated to bring more than 100,000 people and over $100 million in revenues to the state and region this year.

Today’s SWAIA Santa Fe Indian Market  began in 1922 when the Museum of New Mexico and a group of remarkable women,  formed themselves into a political action organization to establish and protect human rights for New Mexico’s Indian population. That year, the Indian Fair was created by the Museum of New Mexico as part of the Santa Fe Fiesta celebration.

In 1922 the New Mexico Association on Indian Affairs (NMAIA) was founded to help fight the U.S. Senate’s proposed Bursum Bill, which would have illegally given an enormous amount of Pueblo land to Spanish and American squatters.

The first Indian Fair in 1922 was originally developed by the Museum of New Mexico as the ethnological display of the Santa Fe Fiesta. In 1919, Museum Director Edgar Lee Hewett had revived the Fiesta as an annual celebration to help promote tourism. His inclusion of the Indian Fair in the Fiesta Pageant was reminiscent of previous World’s Fairs, and in particular, the San Diego Exposition’s anthropological exhibits and the Santa Fe Railway’s living exhibition, the “Painted Desert.”

The Museum continued to sponsor the Indian Fair until 1926. In 1936 the New Mexico Association on Indian Affairs took over the event, which in the past 25 years has morphed into the phenomenon it is today. In 1970 Market was confined to beneath the portal and along the north and east sides of the Plaza. All 200 artists who showed up on Saturday morning were given a booth. In 1980 the Market included 330 booths in rows of three on all four sides of the plaza, and no space could be found for many more artists. 

In 1993, SWAIA’s Board of Directors voted to change the name of the organization to Southwestern Association for Indian Arts to more accurately reflect the focus of the Association’s work.  By 2002 there were 625 booths and 1200 artists. Booths now extend up Washington and Lincoln Avenues as well as to Marcy Street and Cathedral Place.

Now, almost 100 years after the first Indian Fair, the Southwestern Association for Indian Arts’ proud mission is “Bringing Native arts to the world by inspiring artistic excellence, fostering education, and creating meaningful partnerships.”

As SWAIA moves through the 21st Century with a world gaining deeper appreciation for American Indian arts and culture, it is poised for expanding its role through the creation of Markets worldwide, and through further developing its educational and training programs in support of Native American artists.

This week I’ll feature two amazing Taos artists who over the years, have participated in, and been honored by, SWAIA.

Patricia Michaels has with good reason, been featured on this blog since its inception. Pat is not only a Taos Treasure, she garnered worldwide fame when she was the runner up on Project Runway’s Season 11.

A truly remarkable human being as well as an incredibly talented and accomplished Designer, Pat was recently commissioned to participate in A Seat At The Table installation at the Edward Kennedy Institute in Massachusetts, where she designed the chair for New Mexico’s first Native Congresswoman, Deb Haaland.

She was in Chickasaw Nation territory recently teaching workshops to  teens from different tribes about  fashion and textiles, before heading home to Santa Fe, where she lives these days, to get ready for “Market.”

Today she will be at the Eldorado Hotel & Spa for the “Patricia Michaels Heritage Hotels & Resorts Collection Fashion Show”. Join Patricia  at the Eldorado Hotel & Spa as she debuts her Resort Collection Fashion Line developed exclusively for Heritage Hotels & Resorts. Ticket holders will get their first look at Patricia’s collection & will have the opportunity to be some of the first to purchase from this line.The show starts at 1.00pm.

“My Heritage Hotel Collection will have a special tribute to Missing and Murdered Indigenous Women and Girls.” She told me, and she will take that story into another arena on Saturday with she and her sister, Donna Concha performing a song composed by Donna. Pat has long been an advocate for Native women and girls and has always leveraged her fame and many awards to keep the focus on their plight and rights!

 “We will sing (Waiting For You),  together,” she said. “There’ll be a tree lit on the Plaza with red lights and hang tags with 1800 numbers for help info!”

The  tribute to Missing and Murdered Indigenous Women and Girls (MMIWG) will take place in the Santa Fe Plaza at the tree in the NW corner. Patricia will be joined by her sisters and nieces. 

“Everyone is invited to sing with us!” She added. The Missing and Murdered Indigenous Women and Girls Song Tribute happens on Aug 17, at 4:00 PM.

Then on Aug 18, also at 4:00 PM – 05:00 PM Patricia will be featured at the SWAIA 2019 Haute Couture Fashion Show at the Santa Fe Community Convention Center,on W Marcy St.

The SWAIA Haute Couture Fashion Show is a market highlight featuring 10 Native designers. Patricia will be one of the designers participating, bringing her years of fashion and runway experience from Project Runway to her recent installation at the Edward M. Kennedy Institute. “A Seat at the Table,” along with her fabulous joie de vivre to the event.

For much more information about all of these events and SWAIA, please visit the sites linked below this post.

 

pmwaterlily/events

eldoradohotel

swaia.org

 

Photographs taken for the “Seat At The Table” installation, by Bill Curry, thanks to Patricia Michaels.

curryimages

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Get Outdoors

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Go fish or take a hike!

Autumn’s chill is in the early morning air, even though the Dog Days of Summer are here.

We’ll have a glorious and warm month or two ahead no doubt – Fall is our Golden Hour – but the seasons change fast up here in the High Desert. But for now, let’s bask in these last summer days, before school starts, the work load increases

and boot weather is upon us!

These photographs by Bill Curry remind us of the beauty right on our doorstep.

This weekend the town will be filled with groovy hipster revelers arriving for the Taos Vortex – Meow Wolf’s 2nd annual extravaganza in Kit Carson Park. It’ll be loads of fun – great music, sunshine (but be prepared for rain if you plan to attend), good food – sweet souvenirs and trippy memories to boot.

If you don’t plan on going to the park or town this weekend, there’s no better time to head for the hills!

It’s cooler up there, and oh so beautiful right now, at summer’s end.

Fishing, hiking, biking, horseback riding and rafting are all available to us here, and this weekend is as great a time as any to take advantage of one or two.

Stay safe and dry. Pack a windbreaker, sunscreen and water, and enjoy the beauty and serenity only Nature gifts us with.

For ideas on where to go, what to do and see, please visit Taos.org linked below.

taos.org

 

All photographs by Bill Curry

curryimages

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SW Wellness Welcomes Taos Vortex

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It was Durban Poison all the way!

Back in the day, in Cape Town where I came of age in  a magical time and place.

“Poison” as we called it, is known for its psychedelic effects and its unique genetics are responsible for its trippy buds as well as a myriad of hybrids it has spawned (cloned), including Red Dragon.

So if you are planning on getting into the groove at Taos Vortex this weekend, head directly to Southwest Wellness’ dispensary in Taos for the perfect accompaniment to your musical pleasure. 

The amount of THC in the weed enhances its visual effects so check the listing. But be cautious, one first time Poison smoker, said: “I kept seeing colors… rolling hills… shapes… a very psychedelic experience that I’ve never had on weed. At one point I heard a repeating loop of scary music and felt like I was on the brink of “going crazy.” I also felt like I “died” and had one of those kinds of experiences.”

In other words, a bad trip. Clearly with Durban Poison, a little goes a long way!

SW Wellness have both Durban CBD (yes, it’s back), and regular Durban Poison (#2), as well as a bunch of other new and favourite flowers on the shelves just in time for this weekend’s buzz! Strawberry Shortcake, King Skunk (you may want to partake privately), and Pura Vida are all back.

Mountain Top Vape Cartridges (0.5g) –  Screaming Gorilla, Lavender, Durban Poison and 707 Headband might be the way to go. Keep it discreet and still get your dose.

Tiki Juice Tiki Juice from Mountain Top Extracts is another great idea for a Festival – fill your water bottle and you’re in business! – 125mg Blackberry Pineapple – Indica and Maui Mango – Sativa are available.

Candies and lollipops are a no brainer, and SW Wellness always has a great selection, so pick a few of those up too and you’ll be riding a sweet high all weekend long, rain or shine!

When I visited SW Wellness earlier this week to chat to Will Hooper about this weekend’s offerings, he mentioned that a new law had passed wherein “ any “person” can get a NM medical marijuana card, not just NM residents (renewable now, every 3 years.)

In fact, a ruling by a New Mexico judge this week may enable residents from other (Medical Marijuana States),to register for our medical marijuana program. But critics are worried that some may end up breaking state and federal laws. 

New Mexico’s Department of Health went to court this summer to challenge a law that would issue ID cards to out-of-state residents to buy medical marijuana. It argued the law encourages non-residents to violate state and federal laws and was never meant to include them.

But a state district judge in Santa Fe disagreed and ordered the state agency to issue the cards to non-residents. The court will hear arguments against the ruling on Aug. 19. The ruling applies to all U.S. states.

Also in the news it’s clear that legalizing recreational marijuana in New Mexico would create needed jobs in one of the poorest states in the nation.

A bipartisan group appointed by New Mexico Gov. Michelle Lujan Grisham to study legalizing recreational marijuana in the state held its first public policy meeting. The group has been tasked with crafting a recommendation for state lawmakers to examine, which could open the door for New Mexico to join states like Colorado that have legalized recreational marijuana use.

Members of the group include Democratic and Republican legislators who sponsored unsuccessful legislation this year to authorize and tax recreational marijuana sales at state-run stores. That proposal passed a House vote, but it stalled in the Senate.

New Mexico Health Secretary Kathleen Kunkel urged the group to keep in mind how new recreational marijuana laws may hurt the state’s medical marijuana industry. That’s because she said states that have legalized recreational marijuana use have seen their medical cannabis programs affected. She asked the group to recommend separating the medical marijuana and recreational systems to help current medical cannabis users.

The Governor’s Working Group on Cannabis Legalization is scheduled to hold a similar meeting in Las Cruces, New Mexico, on Aug. 28. It also is slated to visit Colorado to meet with state regulators there.

Meanwhile Southwest Wellness is making news in state as well! Two new stores opening in Albuquerque on August 24th, will make it super easy for folks flying into Burque, to pick up all the supplies they require for a trippy ride along Route 66 and beyond – Meow Wolf anyone?

And if you come into the Taos store at 1023 Salazar Rd, this weekend, wearing your Taos Vortex wristband, you’ll get 10% off your purchase!

For more information on Southwest Wellness’ new stores on San Pedro and Central in Albuquerque, please visit their site linked below this post.

And for more information on services available at Southwest Wellness, (including Medical Professionals onsite to assist you in getting your New Mexico Medical Marijuana card), please visit their site linked below, and do visit (and like), their sww/facebook page!

The Southwest Wellness dispensary in Taos is located at 1023 Salazar Road.

southwestwellness

 

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Maria Samora Goes To Market

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I have featured Maria here on taoStyle before.

Maria’s jewelry is minimalistic and elegant. Her sculptural designs along with her masterful gold and silversmith techniques are strikingly eye-catching; they are also very distinctive. Her style is uniquely her own.

Though half Native, her father Frank Samora was from  Taos Pueblo, Maria Samora’s pieces are not traditionally Native American, but they are grounded in the natural world.  She grew up very close to where her studio and showroom are house, and in fact still lives in the “hood” where she and her husband, photographer Kevin Rebholtz are raising their own kids.

A stone’s throw from the Pueblo, she recalls her father Frank riding his horse to see his “other” family on the outskirts of town.

Maria’s mother had come to Taos during its hippie heyday ;like so many other free-spirited young Americans, and had fallen in love with Frank Samora, who was immortalized in Frank Waters’ seminal Taos book, “The Man Who Killed The Deer.”

“He had a whole other life there,” she smiles. “But he came to see us all the time.”

That life, that deep connection to this land, this place, continues to  inform and inspire her work. 

I visited Maria in her new space recently. When William of William 2’s hair salon moved to Albuquerque, Maria and Kevin jumped on the opportunity to expand the space they had been in for years, to include a showroom for Maria’s renowned jewelry.

The open, light and white washed studio, with decorative motifs by Kristen Bortles, bears no resemblance to its former self; tastefully appointed with mid-Century Modern pieces mixed with rustic finds that nod to the artist’s roots, it’s the quintessential  high/low Taos style that serves as the perfect foil for Maria’s “not so precious”designs.

Although forged from the most luxurious metals and stones – she uses diamonds as liberally as turquoise – these are pieces meant to be worn. Day and night. There is nothing too precious or for that matter, pretentious about them.

This weekend, Maria’s in Santa Fe, one of the stars of SWAIA.

Maria Samora’s first Santa Fe Indian Market was in 2005, and since then she has become one of its “stars.”  In 2009, she was chosen as the poster artist for SWAIA’s Indian Market.  She was the youngest to have ever received such distinction as well as the first jeweler, and one of only three other women selected in the market’s 88 year history. 

After college, Maria’s apprenticeship with goldsmith Phil Poirier, had  put her on the path of no return. Maria discovered her passion. The skills she learned there she continues to use – an arsenal of techniques, often combining metals such as sterling silver with gold that she alloys herself and hand forges. 

Her attention to detail is flawless and shows in the meticulous craftsmanship of the pieces. Finely wrought and always with clean lines and that elegant restraint. She is wearing several pieces the day we meet. A few rings – gold and silver – are worn on several fingers, some stacked, some alone. It looks great with her laid back, luxe style.

She has on a pair of silk joggers, a lurex top and snake- skin slides – very chic, young mum look. As we chat, her teenage son Quentin comes over  to ask her something. He’s working in the showroom a few days a week, a summer gig.

A heavy yet delicate appearing latticed cuff rests on her wrist. She is wearing earrings also, and a pendant but none of looks too much. I compliment the cuff, and she removes it, handing it to me. I feel the weight of the oxidized silver. I mention it. Her jewelry is not only beautiful it is made to fit  perfectly when worn.  

“I like to wear my pieces,” she explains, “to be sure it fits just right.   “It might be an amazing design,” she says “ but if it doesn’t lie right or feel right people won’t want to wear it.”  

As for her many fans who come to “Market” each year to see her latest collections? Well, they will be thrilled to discover her newly expanded Studio and Showroom, just a stone’s throw from the place her ancestors have long called home, where they can visit after the weekend’s over in case there’s something the regret not buying then! 

And for those of you who have not yet seen Maria’s treasures, now there’s no excuse!

For more on Maria Samora’s exquisite work,  please visit her site linked below.

mariasamora.com

 

All photographs by Kevin Rebholtz

kevinrebholtzphotography

The post Maria Samora Goes To Market appeared first on taoStyle.

Taos Tripping: Street By Street

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Taos is truly its own world.

Tucked into  the Sangre de Cristos mountains of Northern New Mexico, Taos is upon first sight, unlike anywhere you have ever been.

Geographically striking- the town is still small –  just 40,000 or so in the county and only 5,000 plus in the town limits  – with adobe buildings that glow like bronze in our fabled light, phantasmagoric skies, and incredible vistas for miles. It’s also an old town— colonized by Spanish settlements in the early  1600’s when it became an outpost on the Camino Real, just 120 miles from Santa Fe. The oldest state capital in the United States 

Taos had been inhabited for over 1000 years before the Spaniards or Americans came, by the Red Willow people of Taos Pueblo.

The descriptor “magical” is often overused. But, Taos, is magical.

By virtue of it’s almost-mythical beauty, its High Desert, high and dry climate we learn to adapt – as well as the distinguished people drawn here seeking both that breathtaking beauty along with the solitude required to make the extraordinary art that is made up here by so many.

In fact an Art Colony is what Taos remains; when all is said and done, it was here that the Taos Society of Artists came and stayed in the early 20th Century, leading to a continuous stream of creatives who continue to arrive, generation after generation. And they come looking for pretty much the same thing; that intangible, somewhat nebulous stuff that dreams are made of. Inspiration.

In (and around) Taos, there is plenty to inspire!

Because our region is still equated with Georgia O’Keeffe and the art she made during her long residency here, I’d suggest anyone who visits for the first time, fly in to Santa Fe if you can, and plan to spend the first night of your trip there at any of Heritage’s fabulous Hotels. The Eldorado is conveniently located across the street from the O’Keeffe Museum and has the most extensive and cohesive collection of O’Keeffe’s work anywhere in the world. Works from each of her series — from the New York cityscapes to her paintings of mountains, flowers, and bones — are on view here.

Have dinner at Joseph’s (who got his start up here, in Taos before moving to the city), and is the antidote to a long day in Santa Fe. The interior is softly lit  and warmly appointed, with the distinctive decorative motifs and stencils that are the trademark of his wife, artist Kristen Bortles. Though the dishes may sound a bit conceptual, trust me, they’re actually comfort food in disguise!

Abiquiu and Ghost Ranch which are just sixty-three miles north of Santa Fe — and in many ways still feel many decades away from today, are a must do. In Ghost Ranch, tour Georgia O’Keeffe’s home and studio — the meticulously preserved adobe the artist purchased from the Roman Catholic Archdiocese of Santa Fe in 1945 — in which she lived  until 1984. The house contains artworks by O’Keeffe and Alexander Calder, Mid-Century furniture, and displays of rocks, sculptural works, and objects that O’Keeffe gathered on her walks.

After your tour, drive to Abiquiu Lake. Look to the left and you’ll see the Pedernal: the distinctive mesa she made famous in her work, and  where some of O’Keeffe’s ashes are spread.

Stop at Ojo Caliente for a restorative soak, and to truly immerse yourself in the history and mystery of the place, before heading for your Taos lodging.

Places to stay are varied and all over the map. Literally. You can choose to Glamp on the Mesa, or camp (in a teepee), or rest your travel weary bones at a Five Star Resort. We have it all. Check my Stay section for my recommendations, and Taos.org (linked below) for many more choices!

Once you’ve settled into your room, it’s time (again), for a bite to eat before exploring Taos’ hidden gems and open spaces.

If it’s lunch time, grab a sandwich or salad at Manzanita Market on the Plaza for some local color and flavor. If dinner calls, make a reservation at Jen Hart’s flagship eatery; The Love Apple.

Done and done, and no doubt you’ll be back to both.

Farm to table at its finest, served up with understated elegance and more than a soupcon of style. 

Check out my other myriad posts for all the little things to do around and about the Downtown Historic District, because starting this week, I’m going to hone my sights on specific streets in town, and what they have to offer locals and visitors alike, beginning with Bent St.

Bent comes first because the first job I ever had in Taos, was working for Sam Parks at her eponymously named boutique, Sam’s Shop. It was 1981 and I was pregnant with my youngest child, my daughter Genevieve, who was born in late September of that year, in my apartment, at the Harwood.

That summer I spent at Sam’s was one of the most memorable (and delicious), of my life! The girls I worked with (all amazing women, some still here, others moved on), decided as my pregnancy progressed, that I’d be better off working in the men’s shop (10 1/2) next door, as it had a desk and chair. I.e. place to sit.

Outside the store, a huge apricot tree then as now, was laden with the golden fruit; warmed and ripened by the sun, they dropped easily into my hands, were rubbed clean on the hem of my soft cotton dresses, and slipped as easily down my throat. I joke that my baby was made from apricots. And I still consider it “my” tree, and feel free to eat as many as I please from its branches. This year is a bountiful year!

Aside from personal sentiment and nostalgia, Bent St., truly is the center and heart of our Historic District, and even has a Museum named for Governor Bent, for whom the street itself is also named, so when taoStyle Sponsor Sue Westbrook at Taos Blue, suggested I do an in depth series on the merchants who are her neighbors on this historic row, it was not hard to say yes. I had featured the street before in a shopping post, but the opportunity to learn the history of each space, was not one I’d pass up. With September around the corner, and with the Sting show, Fall Arts and the Paseo bound to bring more new visitors to Taos, I thought I’d tie the Bent Street posts to the season.

Also in the month of September, in 1846, Charles Bent  was appointed as the first civilian Governor of the newly acquired New Mexico Territory. Bent had been a fur trader in the region since the 1820’s. Although his office was in Santa Fe, Bent maintained a residence and trading post in Taos. Charles Bent was allegedly scalped and killed by Pueblo warriors, during the Taos Revolt.

After leaving the army, in 1828, Charles and his younger brother, William, took a wagon train of goods from St. Louis to Santa Fe. There they established mercantile contacts and began a series of trading trips back and forth over the Santa Fe Trail. 

In 1832, he formed a partnership with Ceran St. Vrain, another trader from St. Louis, called Bent & St. Vrain Company. In addition to its store in Taos, the trading company established a series of “forts”, fortified trading posts, to facilitate trade with the Plains Indians; Fort Saint Vrain on the South Platte River and Bent’s Fort on the Arkansas River, both in Colorado; and Fort Adobe on the Canadian River.

Bent’s Fort, outside La Junta, Colorado, has been restored and is now a National Historic Site.

In 1835, Bent married Maria Ignacia Jaramillo, who was born in Taos.  Maria’s younger sister, Josefa Jaramillo, would later marry Kit Carson.

In January 1847, while serving as territorial governor of the region, Charles Bent traveled to his home in Taos, without military protection. There it is told, he was scalped alive and murdered in his home by a group of attackers, under the orders of Mexican conspirators, who were rumoured to have started the Taos Revolt. Bent is buried in the National Cemetery in Santa Fe.

The women and children in the Bent home were not harmed and fled to safety to the house next door through a hole in the parlor wall.

Bent and the infamous frontier scout Christopher “Kit” Carson married sisters. Maria Ignacia Bent outlived her husband by 36 years; she died on April 13, 1883. The Bents had a daughter, Teresina Bent. Maria Bent and the Carsons are all interred at Kit Carson Cemetery (behind the park), in Taos. 

Bent Street, which runs in front of what had been his home in Taos, and Martyr’s Lane, which runs behind it, are both named for the fallen Governor.

The Governor Charles Bent House is now the museum I mentioned earlier in this post.

Those Wild West Frontier days are long gone (although one still senses in many regards, it remains outlaw country up here), and marauding attackers are rarely seen along Bent St. in the 21st Century, unless you’re seeing ghosts), but shops and galleries are plentiful! All housed in buildings with a lot of history, and run by modern day Taos characters!

So Bent Street it is, with all its secret gardens and hidden nooks and crannies. We’ll be strolling in and out of all those warrens of rooms over the next few Wednesdays, and this Wednesday, I’ll have my first post up, featuring a few of the street’s current residents and their wares. 

For more on Taos and all of its attractions, please visit Taos.org, linked below.

taos.org

For more on Taos Blue, please visit their site as well.

taosblue

 

 

 

Taos Blue door by Bill Curry

taosblue

All other images taken on my iphone/and/or stock files.

 

 

The post Taos Tripping: Street By Street appeared first on taoStyle.

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